- +
- This - should - be - a - perfect - circle: + This + should + be + a + perfect + circle:
- The - LinnSequencer + The + LinnSequencer - 32 - Track - MIDI - Sequence - Recorder + 32 + Track + MIDI + Sequence + Recorder
- The - LinnSequencer - is - a - state-of-the-art - composition - and - performance - tool - for - the - professional - musician. - It - is + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is
- extremely - powerful, - yet - amazingly - simple - to - learn - and - use. - It’s - many - remarkable - features - include: + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:
- ¢ - Operation - is - similar - to - multi-track - tape - recorder - with - PLAY, - STOP, - RECORD, - FAST + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST - FORWARD, - REWIND, - and - LOCATE - controls. + FORWARD, + REWIND, + and + LOCATE + controls.
- e - Each - of - the - 100 - sequences - contains - 32 - simultaneous, - polyphonic - tracks. - Each - track - may + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may - be - assigned - to - one - of - 16 - MIDI - channels. - Simultaneously - plays - up - to - 16 - polyphonic + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic
- synthesizers! + synthesizers!
- ¢ - Ultra-fast - 3%” - disk - drive - stores - complex - songs - in - seconds - and - holds - over - 110,000 - notes + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes
- per - disk! + per + disk!
- ¢ - One - or - all - tracks - may - be - TRANSPOSED - at - the - touch - of - a - key. + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. - e - Exclusive - real-time - ERASE - function - makes - editing - FAST. + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. - * - Exclusive - REPEAT - function - automatically - repeats - any - held - notes - at - a - pre-selected + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected
- rhythmic - value. + rhythmic + value.
- ¢ - TIMING - CORRECTION - works - during - playback - and - operates - without - ‘chopping’ - notes. + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes.
- ¢ - Optional - SMPTE - time - code - synchronization. + ¢ + Optional + SMPTE + time + code + synchronization.
- © - Optional - remote - control. + © + Optional + remote + control.
- Recording - a - Sequence + Recording + a + Sequence
- To - record - a - sequence, - simply - press - RECORD - and - PLAY, + To + record + a + sequence, + simply + press + RECORD + and + PLAY, - then - play - your - MIDI - keyboard - in - time - to - the - Sequencer’s + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s - click - track. - When - the - sequence - loops - back - around - to - bar - 1, + click + track. + When + the + sequence + loops + back + around + to + bar + 1, - you’ - ll - hear - what - you - played—only - all - timing - errors - will - be + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be
- corrected! - (Timing - correction - may - be - adjusted - or - defeated). + corrected! + (Timing + correction + may + be + adjusted + or + defeated).
- Any - additional - notes - played - will - be - added - into - the - track + Any + additional + notes + played + will + be + added + into + the + track - — - existing - notes - are - not - erased - while - recording! + — + existing + notes + are + not + erased + while + recording!
- FAST - FORWARD, - REWIND, - and - LOCATE - controls + FAST + FORWARD, + REWIND, + and + LOCATE + controls - may - be - used - at - any - time - to - quickly - access - any - location - in + may + be + used + at + any + time + to + quickly + access + any + location + in - your - sequence - for - spot-recording. - To - overdub - a - new - part, + your + sequence + for + spot-recording. + To + overdub + a + new + part, - select - a - different - track - and - start - recording—while - you + select + a + different + track + and + start + recording—while + you - record, - the - first - track - will - play - in - perfect - sync - (unless - you + record, + the + first + track + will + play + in + perfect + sync + (unless + you - MUTE - it, - or - SOLO - another - track). - In - this - way, - up - to - 32 + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 - tracks - may - be - overdubbed! - All - MIDI - effects - are - recorded + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded - including - pitch - bend, - modulation, - velocity, - aftertouch, + including + pitch + bend, + modulation, + velocity, + aftertouch, - sustain - pedal, - and - program - changes! + sustain + pedal, + and + program + changes!
- Editing + Editing
- To - erase - a - wrong - note, - simply - hold - ERASE - and - press + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - the - note - to - be - erased - just - before - it - plays - in - the - sequence— + the + note + to + be + erased + just + before + it + plays + in + the + sequence— - when - played - back, - it - will - be - gone. - Notes - may - also - be + when + played + back, + it + will + be + gone. + Notes + may + also + be
- added, - erased, - or - changed - using - the - SINGLE - STEP - func- + added, + erased, + or + changed + using + the + SINGLE + STEP + func- - tion. - To - overdub - notes - at - specific - points - within - a - sequence, + tion. + To + overdub + notes + at + specific + points + within + a + sequence,
- Additional - Features + Additional + Features
- simply - use - LOCATE, - FAST - FORWARD, - or - REWIND - to + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to - find - the - desired - bar - number, - then - start - recording. + find + the + desired + bar + number, + then + start + recording.
- The - INSERT/COPY - function - allows - you - to - move - bars + The + INSERT/COPY + function + allows + you + to + move + bars - from - one - location - to - another—in - the - same - sequence - or - a + from + one + location + to + another—in + the + same + sequence + or + a - different - one. - For - example, - you - might - insert - a - copy - of - the + different + one. + For + example, + you + might + insert + a + copy + of + the - first - verse - between - the - second - chorus - and - the - bridge. + first + verse + between + the + second + chorus + and + the + bridge. - DELETE - BARS - operates - the - same - way - to - remove + DELETE + BARS + operates + the + same + way + to + remove - unwanted - sections, + unwanted + sections,
- Creating - a - Song + Creating + a + Song
- One - way - to - create - a - song - is - to - record - each - track - all - the + One + way + to + create + a + song + is + to + record + each + track + all + the - way - through - (up - to - 999 - bars). - Another - way - is - to - record + way + through + (up + to + 999 + bars). + Another + way + is + to + record - each - basic - section - (verse, - chorus, - etc.) - in - individual + each + basic + section + (verse, + chorus, + etc.) + in + individual - sequences, - then - use - the - CREATE - SONG - function - to - “chain” + sequences, + then + use + the + CREATE + SONG + function + to + “chain” - them - together. - CREATE - SONG - will - then - automatically + them + together. + CREATE + SONG + will + then + automatically - copy - all - the - parts - into - a - new - sequence. - If - desired, - you - can + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can - even - set - the - last - few - bars - to - repeat - infinitely, - for - a - fadeout. + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.
- Composition - Without - Compromise + Composition + Without + Compromise
- The - technology - you - use - should - never - be - so - complex - that + The + technology + you + use + should + never + be + so + complex + that - it - interferes - with - the - creative - process. - That’s - precisely - why + it + interferes + with + the + creative + process. + That’s + precisely + why - the - LinnSequencer - is - designed - to - let - you - compose, - record + the + LinnSequencer + is + designed + to + let + you + compose, + record - and - edit - while - devoting - your - undivided - attention - to - your + and + edit + while + devoting + your + undivided + attention + to + your - music. - See - your - Linn - dealer - today - for - a - demonstration! + music. + See + your + Linn + dealer + today + for + a + demonstration!
- * - Simple, - easy - to - learn - operation—the - 32 - character - LCD - display - clearly - guides - you - through - all - operations. - If - needed, - the + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the
- HELP - button - displays - additional - explanations. + HELP + button + displays + additional + explanations.
- * - Non-destructive - recording—existing - notes - are - not - erased - while - recording. + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. - ¢ - Two - FOOTSWITCH - INPUTS - may - be - assigned - to - remotely - control - many - of - the - commonly - used - functions, - including + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including
- ERASE, - REPEAT, - PLAY/STOP, - or - LOCATE. + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.
- ¢ - Iwo - TRIGGER - OUTPUTS - may - be - programmed - to - output - pulses - at - any - selected - note - value. + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.
- © - Will - sync - to - standard - LinnDrum - or - Linn - 9000 - sync - tone. + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.
- © - Utilizes - ultra - high-speed, - 8 - MHz - 80186 - 16 - bit - computer - internally - for - FAST - operation. + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. - * - TEMPO - may - be - specified - in - BEATS-PER-MINUTE - or - FRAMES-PER-BEAT - at - 24, - 25, - or - 30 - frames - per - second, + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,
- (even - drop - frame!) + (even + drop + frame!)
- ¢ - TEMPO - may - be - entered - numerically, - adjustable - in - tenths - of - a - Beat-Per-Minute - increments, - or - by - tapping - quarter - notes + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes
- on - the - TAP - TEMPO - button. + on + the + TAP + TEMPO + button.
- ¢ - TEMPO - CHANGES - may - be - programmed - into - a - sequence, - with - smooth - transitions - if - desired. + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. - ¢ - Any - TIME - SIGNATURE - may - be - used, - and - may - be - changed - within - a - song. + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.
- linn + linn - Linn - Electronics, - Inc. + Linn + Electronics, + Inc.
- 18720 - Oxnard - Street, - Tarzana, - CA - 91356 + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 - (818) - 708-8131 - TELEX - #298949 - LINN - UR + (818) + 708-8131 + TELEX + #298949 + LINN + UR
- The - LinnSequencer + The + LinnSequencer - 32 - Track - MIDI - Sequence - Recorder + 32 + Track + MIDI + Sequence + Recorder
- The - LinnSequencer - is - a - state-of-the-art - composition - and - performance - tool - for - the - professional - musician. - It - is + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is
- extremely - powerful, - yet - amazingly - simple - to - learn - and - use. - It’s - many - remarkable - features - include: + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:
- ¢ - Operation - is - similar - to - multi-track - tape - recorder - with - PLAY, - STOP, - RECORD, - FAST + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST - FORWARD, - REWIND, - and - LOCATE - controls. + FORWARD, + REWIND, + and + LOCATE + controls.
- e - Each - of - the - 100 - sequences - contains - 32 - simultaneous, - polyphonic - tracks. - Each - track - may + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may - be - assigned - to - one - of - 16 - MIDI - channels. - Simultaneously - plays - up - to - 16 - polyphonic + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic
- synthesizers! + synthesizers!
- ¢ - Ultra-fast - 3%” - disk - drive - stores - complex - songs - in - seconds - and - holds - over - 110,000 - notes + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes
- per - disk! + per + disk!
- ¢ - One - or - all - tracks - may - be - TRANSPOSED - at - the - touch - of - a - key. + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. - e - Exclusive - real-time - ERASE - function - makes - editing - FAST. + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. - * - Exclusive - REPEAT - function - automatically - repeats - any - held - notes - at - a - pre-selected + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected
- rhythmic - value. + rhythmic + value.
- ¢ - TIMING - CORRECTION - works - during - playback - and - operates - without - ‘chopping’ - notes. + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes.
- ¢ - Optional - SMPTE - time - code - synchronization. + ¢ + Optional + SMPTE + time + code + synchronization.
- © - Optional - remote - control. + © + Optional + remote + control.
- Recording - a - Sequence + Recording + a + Sequence
- To - record - a - sequence, - simply - press - RECORD - and - PLAY, + To + record + a + sequence, + simply + press + RECORD + and + PLAY, - then - play - your - MIDI - keyboard - in - time - to - the - Sequencer’s + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s - click - track. - When - the - sequence - loops - back - around - to - bar - 1, + click + track. + When + the + sequence + loops + back + around + to + bar + 1, - you’ - ll - hear - what - you - played—only - all - timing - errors - will - be + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be
- corrected! - (Timing - correction - may - be - adjusted - or - defeated). + corrected! + (Timing + correction + may + be + adjusted + or + defeated).
- Any - additional - notes - played - will - be - added - into - the - track + Any + additional + notes + played + will + be + added + into + the + track - — - existing - notes - are - not - erased - while - recording! + — + existing + notes + are + not + erased + while + recording!
- FAST - FORWARD, - REWIND, - and - LOCATE - controls + FAST + FORWARD, + REWIND, + and + LOCATE + controls - may - be - used - at - any - time - to - quickly - access - any - location - in + may + be + used + at + any + time + to + quickly + access + any + location + in - your - sequence - for - spot-recording. - To - overdub - a - new - part, + your + sequence + for + spot-recording. + To + overdub + a + new + part, - select - a - different - track - and - start - recording—while - you + select + a + different + track + and + start + recording—while + you - record, - the - first - track - will - play - in - perfect - sync - (unless - you + record, + the + first + track + will + play + in + perfect + sync + (unless + you - MUTE - it, - or - SOLO - another - track). - In - this - way, - up - to - 32 + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 - tracks - may - be - overdubbed! - All - MIDI - effects - are - recorded + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded - including - pitch - bend, - modulation, - velocity, - aftertouch, + including + pitch + bend, + modulation, + velocity, + aftertouch, - sustain - pedal, - and - program - changes! + sustain + pedal, + and + program + changes!
- Editing + Editing
- To - erase - a - wrong - note, - simply - hold - ERASE - and - press + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - the - note - to - be - erased - just - before - it - plays - in - the - sequence— + the + note + to + be + erased + just + before + it + plays + in + the + sequence— - when - played - back, - it - will - be - gone. - Notes - may - also - be + when + played + back, + it + will + be + gone. + Notes + may + also + be
- added, - erased, - or - changed - using - the - SINGLE - STEP - func- + added, + erased, + or + changed + using + the + SINGLE + STEP + func- - tion. - To - overdub - notes - at - specific - points - within - a - sequence, + tion. + To + overdub + notes + at + specific + points + within + a + sequence,
- Additional - Features + Additional + Features
- simply - use - LOCATE, - FAST - FORWARD, - or - REWIND - to + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to - find - the - desired - bar - number, - then - start - recording. + find + the + desired + bar + number, + then + start + recording.
- The - INSERT/COPY - function - allows - you - to - move - bars + The + INSERT/COPY + function + allows + you + to + move + bars - from - one - location - to - another—in - the - same - sequence - or - a + from + one + location + to + another—in + the + same + sequence + or + a - different - one. - For - example, - you - might - insert - a - copy - of - the + different + one. + For + example, + you + might + insert + a + copy + of + the - first - verse - between - the - second - chorus - and - the - bridge. + first + verse + between + the + second + chorus + and + the + bridge. - DELETE - BARS - operates - the - same - way - to - remove + DELETE + BARS + operates + the + same + way + to + remove - unwanted - sections, + unwanted + sections,
- Creating - a - Song + Creating + a + Song
- One - way - to - create - a - song - is - to - record - each - track - all - the + One + way + to + create + a + song + is + to + record + each + track + all + the - way - through - (up - to - 999 - bars). - Another - way - is - to - record + way + through + (up + to + 999 + bars). + Another + way + is + to + record - each - basic - section - (verse, - chorus, - etc.) - in - individual + each + basic + section + (verse, + chorus, + etc.) + in + individual - sequences, - then - use - the - CREATE - SONG - function - to - “chain” + sequences, + then + use + the + CREATE + SONG + function + to + “chain” - them - together. - CREATE - SONG - will - then - automatically + them + together. + CREATE + SONG + will + then + automatically - copy - all - the - parts - into - a - new - sequence. - If - desired, - you - can + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can - even - set - the - last - few - bars - to - repeat - infinitely, - for - a - fadeout. + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.
- Composition - Without - Compromise + Composition + Without + Compromise
- The - technology - you - use - should - never - be - so - complex - that + The + technology + you + use + should + never + be + so + complex + that - it - interferes - with - the - creative - process. - That’s - precisely - why + it + interferes + with + the + creative + process. + That’s + precisely + why - the - LinnSequencer - is - designed - to - let - you - compose, - record + the + LinnSequencer + is + designed + to + let + you + compose, + record - and - edit - while - devoting - your - undivided - attention - to - your + and + edit + while + devoting + your + undivided + attention + to + your - music. - See - your - Linn - dealer - today - for - a - demonstration! + music. + See + your + Linn + dealer + today + for + a + demonstration!
- * - Simple, - easy - to - learn - operation—the - 32 - character - LCD - display - clearly - guides - you - through - all - operations. - If - needed, - the + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the
- HELP - button - displays - additional - explanations. + HELP + button + displays + additional + explanations.
- * - Non-destructive - recording—existing - notes - are - not - erased - while - recording. + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. - ¢ - Two - FOOTSWITCH - INPUTS - may - be - assigned - to - remotely - control - many - of - the - commonly - used - functions, - including + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including
- ERASE, - REPEAT, - PLAY/STOP, - or - LOCATE. + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.
- ¢ - Iwo - TRIGGER - OUTPUTS - may - be - programmed - to - output - pulses - at - any - selected - note - value. + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.
- © - Will - sync - to - standard - LinnDrum - or - Linn - 9000 - sync - tone. + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.
- © - Utilizes - ultra - high-speed, - 8 - MHz - 80186 - 16 - bit - computer - internally - for - FAST - operation. + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. - * - TEMPO - may - be - specified - in - BEATS-PER-MINUTE - or - FRAMES-PER-BEAT - at - 24, - 25, - or - 30 - frames - per - second, + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,
- (even - drop - frame!) + (even + drop + frame!)
- ¢ - TEMPO - may - be - entered - numerically, - adjustable - in - tenths - of - a - Beat-Per-Minute - increments, - or - by - tapping - quarter - notes + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes
- on - the - TAP - TEMPO - button. + on + the + TAP + TEMPO + button.
- ¢ - TEMPO - CHANGES - may - be - programmed - into - a - sequence, - with - smooth - transitions - if - desired. + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. - ¢ - Any - TIME - SIGNATURE - may - be - used, - and - may - be - changed - within - a - song. + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.
- linn + linn - Linn - Electronics, - Inc. + Linn + Electronics, + Inc.
- 18720 - Oxnard - Street, - Tarzana, - CA - 91356 + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 - (818) - 708-8131 - TELEX - #298949 - LINN - UR + (818) + 708-8131 + TELEX + #298949 + LINN + UR
- The - LinnSequencer + The + LinnSequencer - 32 - Track - MIDI - Sequence - Recorder + 32 + Track + MIDI + Sequence + Recorder
- The - LinnSequencer - is - a - state-of-the-art - composition - and - performance - tool - for - the - professional - musician. - It - is + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is
- extremely - powerful, - yet - amazingly - simple - to - learn - and - use. - It’s - many - remarkable - features - include: + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:
- ¢ - Operation - is - similar - to - multi-track - tape - recorder - with - PLAY, - STOP, - RECORD, - FAST + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST - FORWARD, - REWIND, - and - LOCATE - controls. + FORWARD, + REWIND, + and + LOCATE + controls.
- e - Each - of - the - 100 - sequences - contains - 32 - simultaneous, - polyphonic - tracks. - Each - track - may + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may - be - assigned - to - one - of - 16 - MIDI - channels. - Simultaneously - plays - up - to - 16 - polyphonic + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic
- synthesizers! + synthesizers!
- ¢ - Ultra-fast - 3%” - disk - drive - stores - complex - songs - in - seconds - and - holds - over - 110,000 - notes + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes
- per - disk! + per + disk!
- ¢ - One - or - all - tracks - may - be - TRANSPOSED - at - the - touch - of - a - key. + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. - e - Exclusive - real-time - ERASE - function - makes - editing - FAST. + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. - * - Exclusive - REPEAT - function - automatically - repeats - any - held - notes - at - a - pre-selected + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected
- rhythmic - value. + rhythmic + value.
- ¢ - TIMING - CORRECTION - works - during - playback - and - operates - without - ‘chopping’ - notes. + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes.
- ¢ - Optional - SMPTE - time - code - synchronization. + ¢ + Optional + SMPTE + time + code + synchronization.
- © - Optional - remote - control. + © + Optional + remote + control.
- Recording - a - Sequence + Recording + a + Sequence
- To - record - a - sequence, - simply - press - RECORD - and - PLAY, + To + record + a + sequence, + simply + press + RECORD + and + PLAY, - then - play - your - MIDI - keyboard - in - time - to - the - Sequencer’s + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s - click - track. - When - the - sequence - loops - back - around - to - bar - 1, + click + track. + When + the + sequence + loops + back + around + to + bar + 1, - you’ - ll - hear - what - you - played—only - all - timing - errors - will - be + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be
- corrected! - (Timing - correction - may - be - adjusted - or - defeated). + corrected! + (Timing + correction + may + be + adjusted + or + defeated).
- Any - additional - notes - played - will - be - added - into - the - track + Any + additional + notes + played + will + be + added + into + the + track - — - existing - notes - are - not - erased - while - recording! + — + existing + notes + are + not + erased + while + recording!
- FAST - FORWARD, - REWIND, - and - LOCATE - controls + FAST + FORWARD, + REWIND, + and + LOCATE + controls - may - be - used - at - any - time - to - quickly - access - any - location - in + may + be + used + at + any + time + to + quickly + access + any + location + in - your - sequence - for - spot-recording. - To - overdub - a - new - part, + your + sequence + for + spot-recording. + To + overdub + a + new + part, - select - a - different - track - and - start - recording—while - you + select + a + different + track + and + start + recording—while + you - record, - the - first - track - will - play - in - perfect - sync - (unless - you + record, + the + first + track + will + play + in + perfect + sync + (unless + you - MUTE - it, - or - SOLO - another - track). - In - this - way, - up - to - 32 + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 - tracks - may - be - overdubbed! - All - MIDI - effects - are - recorded + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded - including - pitch - bend, - modulation, - velocity, - aftertouch, + including + pitch + bend, + modulation, + velocity, + aftertouch, - sustain - pedal, - and - program - changes! + sustain + pedal, + and + program + changes!
- Editing + Editing
- To - erase - a - wrong - note, - simply - hold - ERASE - and - press + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - the - note - to - be - erased - just - before - it - plays - in - the - sequence— + the + note + to + be + erased + just + before + it + plays + in + the + sequence— - when - played - back, - it - will - be - gone. - Notes - may - also - be + when + played + back, + it + will + be + gone. + Notes + may + also + be
- added, - erased, - or - changed - using - the - SINGLE - STEP - func- + added, + erased, + or + changed + using + the + SINGLE + STEP + func- - tion. - To - overdub - notes - at - specific - points - within - a - sequence, + tion. + To + overdub + notes + at + specific + points + within + a + sequence,
- Additional - Features + Additional + Features
- simply - use - LOCATE, - FAST - FORWARD, - or - REWIND - to + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to - find - the - desired - bar - number, - then - start - recording. + find + the + desired + bar + number, + then + start + recording.
- The - INSERT/COPY - function - allows - you - to - move - bars + The + INSERT/COPY + function + allows + you + to + move + bars - from - one - location - to - another—in - the - same - sequence - or - a + from + one + location + to + another—in + the + same + sequence + or + a - different - one. - For - example, - you - might - insert - a - copy - of - the + different + one. + For + example, + you + might + insert + a + copy + of + the - first - verse - between - the - second - chorus - and - the - bridge. + first + verse + between + the + second + chorus + and + the + bridge. - DELETE - BARS - operates - the - same - way - to - remove + DELETE + BARS + operates + the + same + way + to + remove - unwanted - sections, + unwanted + sections,
- Creating - a - Song + Creating + a + Song
- One - way - to - create - a - song - is - to - record - each - track - all - the + One + way + to + create + a + song + is + to + record + each + track + all + the - way - through - (up - to - 999 - bars). - Another - way - is - to - record + way + through + (up + to + 999 + bars). + Another + way + is + to + record - each - basic - section - (verse, - chorus, - etc.) - in - individual + each + basic + section + (verse, + chorus, + etc.) + in + individual - sequences, - then - use - the - CREATE - SONG - function - to - “chain” + sequences, + then + use + the + CREATE + SONG + function + to + “chain” - them - together. - CREATE - SONG - will - then - automatically + them + together. + CREATE + SONG + will + then + automatically - copy - all - the - parts - into - a - new - sequence. - If - desired, - you - can + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can - even - set - the - last - few - bars - to - repeat - infinitely, - for - a - fadeout. + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.
- Composition - Without - Compromise + Composition + Without + Compromise
- The - technology - you - use - should - never - be - so - complex - that + The + technology + you + use + should + never + be + so + complex + that - it - interferes - with - the - creative - process. - That’s - precisely - why + it + interferes + with + the + creative + process. + That’s + precisely + why - the - LinnSequencer - is - designed - to - let - you - compose, - record + the + LinnSequencer + is + designed + to + let + you + compose, + record - and - edit - while - devoting - your - undivided - attention - to - your + and + edit + while + devoting + your + undivided + attention + to + your - music. - See - your - Linn - dealer - today - for - a - demonstration! + music. + See + your + Linn + dealer + today + for + a + demonstration!
- * - Simple, - easy - to - learn - operation—the - 32 - character - LCD - display - clearly - guides - you - through - all - operations. - If - needed, - the + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the
- HELP - button - displays - additional - explanations. + HELP + button + displays + additional + explanations.
- * - Non-destructive - recording—existing - notes - are - not - erased - while - recording. + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. - ¢ - Two - FOOTSWITCH - INPUTS - may - be - assigned - to - remotely - control - many - of - the - commonly - used - functions, - including + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including
- ERASE, - REPEAT, - PLAY/STOP, - or - LOCATE. + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.
- ¢ - Iwo - TRIGGER - OUTPUTS - may - be - programmed - to - output - pulses - at - any - selected - note - value. + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.
- © - Will - sync - to - standard - LinnDrum - or - Linn - 9000 - sync - tone. + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.
- © - Utilizes - ultra - high-speed, - 8 - MHz - 80186 - 16 - bit - computer - internally - for - FAST - operation. + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. - * - TEMPO - may - be - specified - in - BEATS-PER-MINUTE - or - FRAMES-PER-BEAT - at - 24, - 25, - or - 30 - frames - per - second, + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,
- (even - drop - frame!) + (even + drop + frame!)
- ¢ - TEMPO - may - be - entered - numerically, - adjustable - in - tenths - of - a - Beat-Per-Minute - increments, - or - by - tapping - quarter - notes + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes
- on - the - TAP - TEMPO - button. + on + the + TAP + TEMPO + button.
- ¢ - TEMPO - CHANGES - may - be - programmed - into - a - sequence, - with - smooth - transitions - if - desired. + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. - ¢ - Any - TIME - SIGNATURE - may - be - used, - and - may - be - changed - within - a - song. + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.
- linn + linn - Linn - Electronics, - Inc. + Linn + Electronics, + Inc.
- 18720 - Oxnard - Street, - Tarzana, - CA - 91356 + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 - (818) - 708-8131 - TELEX - #298949 - LINN - UR + (818) + 708-8131 + TELEX + #298949 + LINN + UR
- The - LinnSequencer + The + LinnSequencer - 32 - Track - MIDI - Sequence - Recorder + 32 + Track + MIDI + Sequence + Recorder
- The - LinnSequencer - is - a - state-of-the-art - composition - and - performance - tool - for - the - professional - musician. - It - is + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is
- extremely - powerful, - yet - amazingly - simple - to - learn - and - use. - It’s - many - remarkable - features - include: + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:
- ¢ - Operation - is - similar - to - multi-track - tape - recorder - with - PLAY, - STOP, - RECORD, - FAST + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST - FORWARD, - REWIND, - and - LOCATE - controls. + FORWARD, + REWIND, + and + LOCATE + controls.
- e - Each - of - the - 100 - sequences - contains - 32 - simultaneous, - polyphonic - tracks. - Each - track - may + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may - be - assigned - to - one - of - 16 - MIDI - channels. - Simultaneously - plays - up - to - 16 - polyphonic + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic
- synthesizers! + synthesizers!
- ¢ - Ultra-fast - 3%” - disk - drive - stores - complex - songs - in - seconds - and - holds - over - 110,000 - notes + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes
- per - disk! + per + disk!
- ¢ - One - or - all - tracks - may - be - TRANSPOSED - at - the - touch - of - a - key. + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. - e - Exclusive - real-time - ERASE - function - makes - editing - FAST. + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. - * - Exclusive - REPEAT - function - automatically - repeats - any - held - notes - at - a - pre-selected + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected
- rhythmic - value. + rhythmic + value.
- ¢ - TIMING - CORRECTION - works - during - playback - and - operates - without - ‘chopping’ - notes. + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes.
- ¢ - Optional - SMPTE - time - code - synchronization. + ¢ + Optional + SMPTE + time + code + synchronization.
- © - Optional - remote - control. + © + Optional + remote + control.
- Recording - a - Sequence + Recording + a + Sequence
- To - record - a - sequence, - simply - press - RECORD - and - PLAY, + To + record + a + sequence, + simply + press + RECORD + and + PLAY, - then - play - your - MIDI - keyboard - in - time - to - the - Sequencer’s + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s - click - track. - When - the - sequence - loops - back - around - to - bar - 1, + click + track. + When + the + sequence + loops + back + around + to + bar + 1, - you’ - ll - hear - what - you - played—only - all - timing - errors - will - be + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be
- corrected! - (Timing - correction - may - be - adjusted - or - defeated). + corrected! + (Timing + correction + may + be + adjusted + or + defeated).
- Any - additional - notes - played - will - be - added - into - the - track + Any + additional + notes + played + will + be + added + into + the + track - — - existing - notes - are - not - erased - while - recording! + — + existing + notes + are + not + erased + while + recording!
- FAST - FORWARD, - REWIND, - and - LOCATE - controls + FAST + FORWARD, + REWIND, + and + LOCATE + controls - may - be - used - at - any - time - to - quickly - access - any - location - in + may + be + used + at + any + time + to + quickly + access + any + location + in - your - sequence - for - spot-recording. - To - overdub - a - new - part, + your + sequence + for + spot-recording. + To + overdub + a + new + part, - select - a - different - track - and - start - recording—while - you + select + a + different + track + and + start + recording—while + you - record, - the - first - track - will - play - in - perfect - sync - (unless - you + record, + the + first + track + will + play + in + perfect + sync + (unless + you - MUTE - it, - or - SOLO - another - track). - In - this - way, - up - to - 32 + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 - tracks - may - be - overdubbed! - All - MIDI - effects - are - recorded + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded - including - pitch - bend, - modulation, - velocity, - aftertouch, + including + pitch + bend, + modulation, + velocity, + aftertouch, - sustain - pedal, - and - program - changes! + sustain + pedal, + and + program + changes!
- Editing + Editing
- To - erase - a - wrong - note, - simply - hold - ERASE - and - press + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - the - note - to - be - erased - just - before - it - plays - in - the - sequence— + the + note + to + be + erased + just + before + it + plays + in + the + sequence— - when - played - back, - it - will - be - gone. - Notes - may - also - be + when + played + back, + it + will + be + gone. + Notes + may + also + be
- added, - erased, - or - changed - using - the - SINGLE - STEP - func- + added, + erased, + or + changed + using + the + SINGLE + STEP + func- - tion. - To - overdub - notes - at - specific - points - within - a - sequence, + tion. + To + overdub + notes + at + specific + points + within + a + sequence,
- Additional - Features + Additional + Features
- simply - use - LOCATE, - FAST - FORWARD, - or - REWIND - to + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to - find - the - desired - bar - number, - then - start - recording. + find + the + desired + bar + number, + then + start + recording.
- The - INSERT/COPY - function - allows - you - to - move - bars + The + INSERT/COPY + function + allows + you + to + move + bars - from - one - location - to - another—in - the - same - sequence - or - a + from + one + location + to + another—in + the + same + sequence + or + a - different - one. - For - example, - you - might - insert - a - copy - of - the + different + one. + For + example, + you + might + insert + a + copy + of + the - first - verse - between - the - second - chorus - and - the - bridge. + first + verse + between + the + second + chorus + and + the + bridge. - DELETE - BARS - operates - the - same - way - to - remove + DELETE + BARS + operates + the + same + way + to + remove - unwanted - sections, + unwanted + sections,
- Creating - a - Song + Creating + a + Song
- One - way - to - create - a - song - is - to - record - each - track - all - the + One + way + to + create + a + song + is + to + record + each + track + all + the - way - through - (up - to - 999 - bars). - Another - way - is - to - record + way + through + (up + to + 999 + bars). + Another + way + is + to + record - each - basic - section - (verse, - chorus, - etc.) - in - individual + each + basic + section + (verse, + chorus, + etc.) + in + individual - sequences, - then - use - the - CREATE - SONG - function - to - “chain” + sequences, + then + use + the + CREATE + SONG + function + to + “chain” - them - together. - CREATE - SONG - will - then - automatically + them + together. + CREATE + SONG + will + then + automatically - copy - all - the - parts - into - a - new - sequence. - If - desired, - you - can + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can - even - set - the - last - few - bars - to - repeat - infinitely, - for - a - fadeout. + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.
- Composition - Without - Compromise + Composition + Without + Compromise
- The - technology - you - use - should - never - be - so - complex - that + The + technology + you + use + should + never + be + so + complex + that - it - interferes - with - the - creative - process. - That’s - precisely - why + it + interferes + with + the + creative + process. + That’s + precisely + why - the - LinnSequencer - is - designed - to - let - you - compose, - record + the + LinnSequencer + is + designed + to + let + you + compose, + record - and - edit - while - devoting - your - undivided - attention - to - your + and + edit + while + devoting + your + undivided + attention + to + your - music. - See - your - Linn - dealer - today - for - a - demonstration! + music. + See + your + Linn + dealer + today + for + a + demonstration!
- * - Simple, - easy - to - learn - operation—the - 32 - character - LCD - display - clearly - guides - you - through - all - operations. - If - needed, - the + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the
- HELP - button - displays - additional - explanations. + HELP + button + displays + additional + explanations.
- * - Non-destructive - recording—existing - notes - are - not - erased - while - recording. + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. - ¢ - Two - FOOTSWITCH - INPUTS - may - be - assigned - to - remotely - control - many - of - the - commonly - used - functions, - including + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including
- ERASE, - REPEAT, - PLAY/STOP, - or - LOCATE. + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.
- ¢ - Iwo - TRIGGER - OUTPUTS - may - be - programmed - to - output - pulses - at - any - selected - note - value. + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.
- © - Will - sync - to - standard - LinnDrum - or - Linn - 9000 - sync - tone. + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.
- © - Utilizes - ultra - high-speed, - 8 - MHz - 80186 - 16 - bit - computer - internally - for - FAST - operation. + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. - * - TEMPO - may - be - specified - in - BEATS-PER-MINUTE - or - FRAMES-PER-BEAT - at - 24, - 25, - or - 30 - frames - per - second, + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,
- (even - drop - frame!) + (even + drop + frame!)
- ¢ - TEMPO - may - be - entered - numerically, - adjustable - in - tenths - of - a - Beat-Per-Minute - increments, - or - by - tapping - quarter - notes + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes
- on - the - TAP - TEMPO - button. + on + the + TAP + TEMPO + button.
- ¢ - TEMPO - CHANGES - may - be - programmed - into - a - sequence, - with - smooth - transitions - if - desired. + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. - ¢ - Any - TIME - SIGNATURE - may - be - used, - and - may - be - changed - within - a - song. + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.
- linn + linn - Linn - Electronics, - Inc. + Linn + Electronics, + Inc.
- 18720 - Oxnard - Street, - Tarzana, - CA - 91356 + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 - (818) - 708-8131 - TELEX - #298949 - LINN - UR + (818) + 708-8131 + TELEX + #298949 + LINN + UR
- The - LinnSequencer + The + LinnSequencer - 32 - Track - MIDI - Sequence - Recorder + 32 + Track + MIDI + Sequence + Recorder
- The - LinnSequencer - is - a - state-of-the-art - composition - and - performance - tool - for - the - professional - musician. - It - is + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is
- extremely - powerful, - yet - amazingly - simple - to - learn - and - use. - It’s - many - remarkable - features - include: + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:
- ¢ - Operation - is - similar - to - multi-track - tape - recorder - with - PLAY, - STOP, - RECORD, - FAST + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST - FORWARD, - REWIND, - and - LOCATE - controls. + FORWARD, + REWIND, + and + LOCATE + controls.
- e - Each - of - the - 100 - sequences - contains - 32 - simultaneous, - polyphonic - tracks. - Each - track - may + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may - be - assigned - to - one - of - 16 - MIDI - channels. - Simultaneously - plays - up - to - 16 - polyphonic + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic
- synthesizers! + synthesizers!
- ¢ - Ultra-fast - 3%” - disk - drive - stores - complex - songs - in - seconds - and - holds - over - 110,000 - notes + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes
- per - disk! + per + disk!
- ¢ - One - or - all - tracks - may - be - TRANSPOSED - at - the - touch - of - a - key. + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. - e - Exclusive - real-time - ERASE - function - makes - editing - FAST. + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. - * - Exclusive - REPEAT - function - automatically - repeats - any - held - notes - at - a - pre-selected + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected
- rhythmic - value. + rhythmic + value.
- ¢ - TIMING - CORRECTION - works - during - playback - and - operates - without - ‘chopping’ - notes. + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes.
- ¢ - Optional - SMPTE - time - code - synchronization. + ¢ + Optional + SMPTE + time + code + synchronization.
- © - Optional - remote - control. + © + Optional + remote + control.
- Recording - a - Sequence + Recording + a + Sequence
- To - record - a - sequence, - simply - press - RECORD - and - PLAY, + To + record + a + sequence, + simply + press + RECORD + and + PLAY, - then - play - your - MIDI - keyboard - in - time - to - the - Sequencer’s + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s - click - track. - When - the - sequence - loops - back - around - to - bar - 1, + click + track. + When + the + sequence + loops + back + around + to + bar + 1, - you’ - ll - hear - what - you - played—only - all - timing - errors - will - be + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be
- corrected! - (Timing - correction - may - be - adjusted - or - defeated). + corrected! + (Timing + correction + may + be + adjusted + or + defeated).
- Any - additional - notes - played - will - be - added - into - the - track + Any + additional + notes + played + will + be + added + into + the + track - — - existing - notes - are - not - erased - while - recording! + — + existing + notes + are + not + erased + while + recording!
- FAST - FORWARD, - REWIND, - and - LOCATE - controls + FAST + FORWARD, + REWIND, + and + LOCATE + controls - may - be - used - at - any - time - to - quickly - access - any - location - in + may + be + used + at + any + time + to + quickly + access + any + location + in - your - sequence - for - spot-recording. - To - overdub - a - new - part, + your + sequence + for + spot-recording. + To + overdub + a + new + part, - select - a - different - track - and - start - recording—while - you + select + a + different + track + and + start + recording—while + you - record, - the - first - track - will - play - in - perfect - sync - (unless - you + record, + the + first + track + will + play + in + perfect + sync + (unless + you - MUTE - it, - or - SOLO - another - track). - In - this - way, - up - to - 32 + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 - tracks - may - be - overdubbed! - All - MIDI - effects - are - recorded + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded - including - pitch - bend, - modulation, - velocity, - aftertouch, + including + pitch + bend, + modulation, + velocity, + aftertouch, - sustain - pedal, - and - program - changes! + sustain + pedal, + and + program + changes!
- Editing + Editing
- To - erase - a - wrong - note, - simply - hold - ERASE - and - press + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - the - note - to - be - erased - just - before - it - plays - in - the - sequence— + the + note + to + be + erased + just + before + it + plays + in + the + sequence— - when - played - back, - it - will - be - gone. - Notes - may - also - be + when + played + back, + it + will + be + gone. + Notes + may + also + be
- added, - erased, - or - changed - using - the - SINGLE - STEP - func- + added, + erased, + or + changed + using + the + SINGLE + STEP + func- - tion. - To - overdub - notes - at - specific - points - within - a - sequence, + tion. + To + overdub + notes + at + specific + points + within + a + sequence,
- Additional - Features + Additional + Features
- simply - use - LOCATE, - FAST - FORWARD, - or - REWIND - to + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to - find - the - desired - bar - number, - then - start - recording. + find + the + desired + bar + number, + then + start + recording.
- The - INSERT/COPY - function - allows - you - to - move - bars + The + INSERT/COPY + function + allows + you + to + move + bars - from - one - location - to - another—in - the - same - sequence - or - a + from + one + location + to + another—in + the + same + sequence + or + a - different - one. - For - example, - you - might - insert - a - copy - of - the + different + one. + For + example, + you + might + insert + a + copy + of + the - first - verse - between - the - second - chorus - and - the - bridge. + first + verse + between + the + second + chorus + and + the + bridge. - DELETE - BARS - operates - the - same - way - to - remove + DELETE + BARS + operates + the + same + way + to + remove - unwanted - sections, + unwanted + sections,
- Creating - a - Song + Creating + a + Song
- One - way - to - create - a - song - is - to - record - each - track - all - the + One + way + to + create + a + song + is + to + record + each + track + all + the - way - through - (up - to - 999 - bars). - Another - way - is - to - record + way + through + (up + to + 999 + bars). + Another + way + is + to + record - each - basic - section - (verse, - chorus, - etc.) - in - individual + each + basic + section + (verse, + chorus, + etc.) + in + individual - sequences, - then - use - the - CREATE - SONG - function - to - “chain” + sequences, + then + use + the + CREATE + SONG + function + to + “chain” - them - together. - CREATE - SONG - will - then - automatically + them + together. + CREATE + SONG + will + then + automatically - copy - all - the - parts - into - a - new - sequence. - If - desired, - you - can + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can - even - set - the - last - few - bars - to - repeat - infinitely, - for - a - fadeout. + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.
- Composition - Without - Compromise + Composition + Without + Compromise
- The - technology - you - use - should - never - be - so - complex - that + The + technology + you + use + should + never + be + so + complex + that - it - interferes - with - the - creative - process. - That’s - precisely - why + it + interferes + with + the + creative + process. + That’s + precisely + why - the - LinnSequencer - is - designed - to - let - you - compose, - record + the + LinnSequencer + is + designed + to + let + you + compose, + record - and - edit - while - devoting - your - undivided - attention - to - your + and + edit + while + devoting + your + undivided + attention + to + your - music. - See - your - Linn - dealer - today - for - a - demonstration! + music. + See + your + Linn + dealer + today + for + a + demonstration!
- * - Simple, - easy - to - learn - operation—the - 32 - character - LCD - display - clearly - guides - you - through - all - operations. - If - needed, - the + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the
- HELP - button - displays - additional - explanations. + HELP + button + displays + additional + explanations.
- * - Non-destructive - recording—existing - notes - are - not - erased - while - recording. + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. - ¢ - Two - FOOTSWITCH - INPUTS - may - be - assigned - to - remotely - control - many - of - the - commonly - used - functions, - including + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including
- ERASE, - REPEAT, - PLAY/STOP, - or - LOCATE. + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.
- ¢ - Iwo - TRIGGER - OUTPUTS - may - be - programmed - to - output - pulses - at - any - selected - note - value. + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.
- © - Will - sync - to - standard - LinnDrum - or - Linn - 9000 - sync - tone. + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.
- © - Utilizes - ultra - high-speed, - 8 - MHz - 80186 - 16 - bit - computer - internally - for - FAST - operation. + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. - * - TEMPO - may - be - specified - in - BEATS-PER-MINUTE - or - FRAMES-PER-BEAT - at - 24, - 25, - or - 30 - frames - per - second, + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,
- (even - drop - frame!) + (even + drop + frame!)
- ¢ - TEMPO - may - be - entered - numerically, - adjustable - in - tenths - of - a - Beat-Per-Minute - increments, - or - by - tapping - quarter - notes + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes
- on - the - TAP - TEMPO - button. + on + the + TAP + TEMPO + button.
- ¢ - TEMPO - CHANGES - may - be - programmed - into - a - sequence, - with - smooth - transitions - if - desired. + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. - ¢ - Any - TIME - SIGNATURE - may - be - used, - and - may - be - changed - within - a - song. + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.
- linn + linn - Linn - Electronics, - Inc. + Linn + Electronics, + Inc.
- 18720 - Oxnard - Street, - Tarzana, - CA - 91356 + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 - (818) - 708-8131 - TELEX - #298949 - LINN - UR + (818) + 708-8131 + TELEX + #298949 + LINN + UR
- Multicolor - Black + Multicolor + Black - Pure - Black - (K - = - 100} + Pure + Black + (K + = + 100}
- Pure - Magenta + Pure + Magenta
- Pure - Cyan + Pure + Cyan
- Pure - Yellow + Pure + Yellow
- 4ist - ConGREss, - } - SENATE. - { - Ex. - Doc, + 4ist + ConGREss, + } + SENATE. + { + Ex. + Doc, - 3d - Session. - No. - 25. + 3d + Session. + No. + 25.
- MESSAGE + MESSAGE
- OF - THE + OF + THE
- PRESIDENT - OF - THE - UNITED - STATES, + PRESIDENT + OF + THE + UNITED + STATES,
- COMMUNICATING + COMMUNICATING
- A - copy - of - regulations - for - the - consular - courts - of - the - United - States - in - Japan, + A + copy + of + regulations + for + the + consular + courts + of + the + United + States + in + Japan, - decreed - and - issued - by - the - minister - of - the - United - States - in - that - country. + decreed + and + issued + by + the + minister + of + the + United + States + in + that + country.
- JANUARY - 27, - 1871,—Read, - referred - to - the - Committee - on - Commerce, - and - ordered - to - be + JANUARY + 27, + 1871,—Read, + referred + to + the + Committee + on + Commerce, + and + ordered + to + be - printed. + printed.
- To - the - Senate - and - House - of - Representatives - : + To + the + Senate + and + House + of + Representatives + :
- I - transmit - herewith, - for - the - consideration - of - Congress, - a - report - from + I + transmit + herewith, + for + the + consideration + of + Congress, + a + report + from - the - Secretary - of - State, - and - the - papers - which - accompanied - it, - concern- + the + Secretary + of + State, + and + the + papers + which + accompanied + it, + concern- - ing - regulations - for - the - consular - courts - of - the - United - States - in - Japan. + ing + regulations + for + the + consular + courts + of + the + United + States + in + Japan.
- U. - 8. - GRANT. + U. + 8. + GRANT.
- ‘WASHINGTON, - January - 27, - 1871. + ‘WASHINGTON, + January + 27, + 1871.
- DEPARTMENT - OF - STATE, + DEPARTMENT + OF + STATE, - Washington, - January - 26, - 1870, + Washington, + January + 26, + 1870,
- The - Secretary - of - State - has - the - honor - to - submit - herewith, - for - revision + The + Secretary + of + State + has + the + honor + to + submit + herewith, + for + revision - by - Congress, - in - conformity - with - the - provisions - of - section - 6 - of - the - act + by + Congress, + in + conformity + with + the + provisions + of + section + 6 + of + the + act - approved - 22d - of - June, - 1860, - a - copy - of - “regulations - for - the - consular + approved + 22d + of + June, + 1860, + a + copy + of + “regulations + for + the + consular - courts - of - the - United - States - in - Japan,” - decreed - and - issued - by - C. - BE. + courts + of + the + United + States + in + Japan,” + decreed + and + issued + by + C. + BE. - De - Long, - the - minister - of - the - United - States - in - that - country, - in - Septem- + De + Long, + the + minister + of + the + United + States + in + that + country, + in + Septem- - ber, - 1870; - and - also - the - papers - mentioned - in - the - subjoined - list, - which, + ber, + 1870; + and + also + the + papers + mentioned + in + the + subjoined + list, + which, - contain - suggestions - on - the - subject - thereof. + contain + suggestions + on + the + subject + thereof.
- A - copy - of - Article - XXVI - of - the - consular - regulations - is - also - submitted, + A + copy + of + Article + XXVI + of + the + consular + regulations + is + also + submitted, - and - the - Secretary - of - State - respectfully - suggests, - for - the - consideration + and + the + Secretary + of + State + respectfully + suggests, + for + the + consideration - of - Congress, - the - propriety - of - limiting - the - power - of - ministers - to - make + of + Congress, + the + propriety + of + limiting + the + power + of + ministers + to + make - decrees - and - regulation, - in - the - sense - in - which - it - is - limited - by - paragraph + decrees + and + regulation, + in + the + sense + in + which + it + is + limited + by + paragraph - 431 - of - the - article - before - named—that - is, - “to - acts - necessary - to - organize + 431 + of + the + article + before + named—that + is, + “to + acts + necessary + to + organize - and - give - efficiency - to - the - courts - created - by - the - act.” + and + give + efficiency + to + the + courts + created + by + the + act.”
- Respectfully - submitted. + Respectfully + submitted.
- HAMILTON - FISH. + HAMILTON + FISH.
- The - PRESIDENT, + The + PRESIDENT,
- List - of - accompanying - papers. + List + of + accompanying + papers.
- 1, - Regulations - for - the - consular - courts - of - the - United - States - in - Japan. + 1, + Regulations + for + the + consular + courts + of + the + United + States + in + Japan. - 2, - Mr. - Fish - to - Mr. - De - Long, - September - 10, - 1870, + 2, + Mr. + Fish + to + Mr. + De + Long, + September + 10, + 1870,
- +
- +
- +
- +
- +
- THEY - TIP-TOED - ALONG. + THEY + TIP-TOED + ALONG.
- ee - . + ee + . - Se - We - went - tip-toeing - along - a - path - amongst + Se + We + went + tip-toeing + along + a + path + amongst
- the - trees - back - towards - the - end - of - the + the + trees + back + towards + the + end + of + the - widow’s - garden, - stooping - down - so - as + widow’s + garden, + stooping + down + so + as - the - branches - wouldn’t - scrape - our - heads. + the + branches + wouldn’t + scrape + our + heads. - When - we - was - passing - by - the - kitchen + When + we + was + passing + by + the + kitchen - I - fell - over - a - root - and - made - a - noise. + I + fell + over + a + root + and + made + a + noise. - We - scrouched - down - and - laid - still. + We + scrouched + down + and + laid + still. - Miss - Watson’s - big - nigger, - named + Miss + Watson’s + big + nigger, + named - Jim, - was - setting - in - the - kitchen - door - ; + Jim, + was + setting + in + the + kitchen + door + ; - we - could - see - him - pretty - clear, - because + we + could + see + him + pretty + clear, + because - there - was - a - light - behind - him. - He + there + was + a + light + behind + him. + He - got - up - and - stretched - his - neck - out + got + up + and + stretched + his + neck + out - about - a - minute, - listening. - Then - he + about + a + minute, + listening. + Then + he - says, + says,
- “Who - dah?” + “Who + dah?”
- He - listened - some - more; - then - he + He + listened + some + more; + then + he - come - tip-toeing - down - and_ - stood + come + tip-toeing + down + and_ + stood - right - between - us; - we - could - a - touched + right + between + us; + we + could + a + touched - him, - nearly. - Well, - likely - it - was - min- + him, + nearly. + Well, + likely + it + was + min- - utes - and - minutes - that - there - warn’t - a + utes + and + minutes + that + there + warn’t + a - sound, - and - we - all - there - so - close + sound, + and + we + all + there + so + close - together. - There - was - a - place - on - my + together. + There + was + a + place + on + my - ankle - that - got - to - itching; - but - I + ankle + that + got + to + itching; + but + I
- dasn’t - scratch - it; - and - then - my - ear - begun - to - itch; - and - next - my - back, - right - be- + dasn’t + scratch + it; + and + then + my + ear + begun + to + itch; + and + next + my + back, + right + be- - tween - my - shoulders. - Seemed - like - I’d - die - if - I - couldn’t - scratch. - Well, - I’ve + tween + my + shoulders. + Seemed + like + I’d + die + if + I + couldn’t + scratch. + Well, + I’ve
- noticed - that - thing - plenty - of - times - since. + noticed + that + thing + plenty + of + times + since.
- Tf - you - are - with - the - quality, - or - at - a + Tf + you + are + with + the + quality, + or + at + a
- funeral, - or - trying - to - go - to - sleep - when - you - ain’t - sleepy—if - you - are - anywheres + funeral, + or + trying + to + go + to + sleep + when + you + ain’t + sleepy—if + you + are + anywheres
- Replacement - of - "creationism" - with - "intelligent - design" + Replacement + of + "creationism" + with + "intelligent + design"
- +
- + - +
- +
- +
- +
- +
- +
- 120 + 120 - 100 - - + 100 + - - Cc - 80 + Cc + 80 - > + > - 5 + 5 - 5 - 607 - —@— - "Creation" - and - "creationist" + 5 + 607 + —@— + "Creation" + and + "creationist" - 5 - —@— - "Intelligent - design" + 5 + —@— + "Intelligent + design" - = - and - "design - proponent" + = + and + "design + proponent" - 40 - - + 40 + - - 20 - - + 20 + - - —@— - —@® + —@— + —@® - 0 - e— - T - T - T - ' - w - ° + 0 + e— + T + T + T + ' + w + ° - gp) - ee) - 0 - oN - g\ - gD) - op) + gp) + ee) + 0 + oN + g\ + gD) + op) - oO - NC) - NC) - LN - eo - N - N + oO + NC) + NC) + LN + eo + N + N - S - os - o* - vs - ws - os - os + S + os + o* + vs + ws + os + os - cs) - Re - ss - & - ow - x - & - s? + cs) + Re + ss + & + ow + x + & + s? - ge - ee - Oo - ss - Ss - Ne - qs + ge + ee + Oo + ss + Ss + Ne + qs - G - % - S - S - © - S + G + % + S + S + © + S - Ros - % - se - se - oe - AN + Ros + % + se + se + oe + AN - Ss - 3s - S - Ss - Ss - Ss - Ss + Ss + 3s + S + Ss + Ss + Ss + Ss - ow? - \O - Xo) - R - g - g - Q + ow? + \O + Xo) + R + g + g + Q
- Replacement - of - "creationism" - with - "intelligent - design" + Replacement + of + "creationism" + with + "intelligent + design"
- +
- + - +
- +
- +
- +
- +
- +
- 120 + 120 - 100 - 4 + 100 + 4 - = - 80 + = + 80 - — + — - S + S - _ - 6047 - —@— - "Creation" - and - "creationist" + _ + 6047 + —@— + "Creation" + and + "creationist" - 5 - —@— - "Intelligent - design" + 5 + —@— + "Intelligent + design" - and - "design - proponent" + and + "design + proponent" - S - «4 + S + «4 - 20 - - + 20 + - - 0 - oe - I - T - T - T - T - © + 0 + oe + I + T + T + T + T + © - 3) - ©) - Ay - Ay - Ay - 9 - o>) + 3) + ©) + Ay + Ay + Ay + 9 + o>) - ee - ow - oe - oe - Cs - Cs - eS + ee + ow + oe + oe + Cs + Cs + eS - RQ - Q - R - R - XR - Q - R + RQ + Q + R + R + XR + Q + R - & - es - o - a - al - & - eo + & + es + o + a + al + & + eo - 3 - e - oe - we - a? - i) - as? + 3 + e + oe + we + a? + i) + as? - 3 - 4? - 3 - & - oe - & - & + 3 + 4? + 3 + & + oe + & + & - oe - ww - 6 - e - Qe - Qe - Qe + oe + ww + 6 + e + Qe + Qe + Qe
- with - a - plain - face, - on - the - throne - of - England; + with + a + plain + face, + on + the + throne + of + England; - there - were - a - king - with - a - large - jaw - and - a - queen + there + were + a + king + with + a + large + jaw + and + a + queen - with - a - fair - face, - on - the - throne - of - France. - In - both + with + a + fair + face, + on + the + throne + of + France. + In + both - countries - it - was - clearer - than - crystal - to - the - lords + countries + it + was + clearer + than + crystal + to + the + lords - of - the - State - preserves - of - loaves - and - fishes, - that + of + the + State + preserves + of + loaves + and + fishes, + that - things - in - general - were - settled - for - ever. + things + in + general + were + settled + for + ever.
- It - was - the - year - of - Our - Lord - one - thousand + It + was + the + year + of + Our + Lord + one + thousand - seven - hundred - and - seventy-five. - Spiritual - reve- + seven + hundred + and + seventy-five. + Spiritual + reve- - lations - were - conceded - to - England - at - that + lations + were + conceded + to + England + at + that - favoured - period, - as - at - this, - Mrs. - Southcott - had + favoured + period, + as + at + this, + Mrs. + Southcott + had - recently - attained - her - five-and-twentieth - blessed + recently + attained + her + five-and-twentieth + blessed - birthday, - of - whom - a - prophetic - private - in - the - Life + birthday, + of + whom + a + prophetic + private + in + the + Life - Guards - had - heralded - the - sublime - appearance - by + Guards + had + heralded + the + sublime + appearance + by - announcing - that - arrangements - were - made - for - the + announcing + that + arrangements + were + made + for + the - swallowing - up - of - London - and - Westminster. + swallowing + up + of + London + and + Westminster. - Even - the - Cock-lane - ghost - had - been - laid - only - a + Even + the + Cock-lane + ghost + had + been + laid + only + a - round - dozen - of - years, - after - rapping - out - its - mes- + round + dozen + of + years, + after + rapping + out + its + mes- - sages, - as - the - spirits - of - this - very - year - last - past + sages, + as + the + spirits + of + this + very + year + last + past - (supematurally - deficient - in - originality) - rapped + (supematurally + deficient + in + originality) + rapped - out - theirs. - Mere - messages - in - the - earthly - order - of + out + theirs. + Mere + messages + in + the + earthly + order + of - events - had - lately - come - to - the - English - Crown - and + events + had + lately + come + to + the + English + Crown + and - People, - from - a - congress - of - British - subjects - in + People, + from + a + congress + of + British + subjects + in - America: - which, - strange - to - relate, - have - proved + America: + which, + strange + to + relate, + have + proved - more - important - to - the - human - race - than - any - com- + more + important + to + the + human + race + than + any + com- - munications - yet - received - through - any - of - the + munications + yet + received + through + any + of + the - chickens - of - the - Cock-lane - brood. + chickens + of + the + Cock-lane + brood.
- France, - less - favoured - on - the - whole - as - to - mat- + France, + less + favoured + on + the + whole + as + to + mat- - ters - spiritual - than - her - sister - of - the - shield - and - tri- + ters + spiritual + than + her + sister + of + the + shield + and + tri- - dent, - rolled - with - exceeding - smoothness - down + dent, + rolled + with + exceeding + smoothness + down - hill, - making - paper - money - and - spending - it. - Under + hill, + making + paper + money + and + spending + it. + Under - the - guidance - of - her - Christian - pastors, - she - enter- + the + guidance + of + her + Christian + pastors, + she + enter- - tained - herself, - besides, - with - such - humane + tained + herself, + besides, + with + such + humane - achievements - as - sentencing - a - youth - to - have - his + achievements + as + sentencing + a + youth + to + have + his
- hands - cut - off, - his - tongue - torn - out - with - pincers, + hands + cut + off, + his + tongue + torn + out + with + pincers, - and - his - body - burned - alive, - because - he - had - not + and + his + body + burned + alive, + because + he + had + not - kneeled - down - in - the - rain - to - do - honour - to - a - dirty + kneeled + down + in + the + rain + to + do + honour + to + a + dirty - procession - of - monks - which - passed - within - his + procession + of + monks + which + passed + within + his - view, - at - a - distance - of - some - fifty - or - sixty - yards. - It + view, + at + a + distance + of + some + fifty + or + sixty + yards. + It - is - likely - enough - that, - rooted - in - the - woods - of + is + likely + enough + that, + rooted + in + the + woods + of - France - and - Norway, - there - were - growing - trees, + France + and + Norway, + there + were + growing + trees, - when - that - sufferer - was - put - to - death, - already + when + that + sufferer + was + put + to + death, + already - marked - by - the - Woodman, - Fate, - to - come - down + marked + by + the + Woodman, + Fate, + to + come + down - and - be - sawn - into - boards, - to - make - a - certain - mov- + and + be + sawn + into + boards, + to + make + a + certain + mov- - able - framework - with - a - sack - and - a - knife - in - it, - ter- + able + framework + with + a + sack + and + a + knife + in + it, + ter- - rible - in - history. - It - is - likely - enough - that - in - the + rible + in + history. + It + is + likely + enough + that + in + the - rough - outhouses - of - some - tillers - of - the - heavy + rough + outhouses + of + some + tillers + of + the + heavy - lands - adjacent - to - Paris, - there - were - sheltered + lands + adjacent + to + Paris, + there + were + sheltered - from - the - weather - that - very - day, - rude - carts, + from + the + weather + that + very + day, + rude + carts, - bespattered - with - rustic - mire, - snuffed - about - by + bespattered + with + rustic + mire, + snuffed + about + by - pigs, - and - roosted - in - by - poultry, - which - the + pigs, + and + roosted + in + by + poultry, + which + the - Farmer, - Death, - had - already - set - apart - to - be - his + Farmer, + Death, + had + already + set + apart + to + be + his - tumbrils - of - the - Revolution. - But - that - Woodman + tumbrils + of + the + Revolution. + But + that + Woodman - and - that - Farmer, - though - they - work - unceasingly, + and + that + Farmer, + though + they + work + unceasingly, - work - silently, - and - no - one - heard - them - as - they + work + silently, + and + no + one + heard + them + as + they - went - about - with - muffled - tread: - the - rather, - foras- + went + about + with + muffled + tread: + the + rather, + foras- - much - as - to - entertain - any - suspicion - that - they + much + as + to + entertain + any + suspicion + that + they - were - awake, - was - to - be - atheistical - and - traitorous. + were + awake, + was + to + be + atheistical + and + traitorous.
- In - England, - there - was - scarcely - an - amount - of + In + England, + there + was + scarcely + an + amount + of - order - and - protection - to - justify - much - national + order + and + protection + to + justify + much + national - boasting. - Daring - burglaries - by - armed - men, - and + boasting. + Daring + burglaries + by + armed + men, + and - highway - robberies, - took - place - in - the - capital + highway + robberies, + took + place + in + the + capital - itself - every - night; - families - were - publicly - cau- + itself + every + night; + families + were + publicly + cau- - tioned - not - to - go - out - of - town - without - removing + tioned + not + to + go + out + of + town + without + removing - their - furniture - to - upholsterers' - warehouses - for + their + furniture + to + upholsterers' + warehouses + for - security; - the - highwayman - in - the - dark - was - a - City + security; + the + highwayman + in + the + dark + was + a + City - tradesman - in - the - light, - and, - being - recognised - and + tradesman + in + the + light, + and, + being + recognised + and
- with - a - plain - face, - on - the - throne - of - England; + with + a + plain + face, + on + the + throne + of + England; - there - were - a - king - with - a - large - jaw - and - a - queen + there + were + a + king + with + a + large + jaw + and + a + queen - with - a - fair - face, - on - the - throne - of - France. - In - both + with + a + fair + face, + on + the + throne + of + France. + In + both - countries - it - was - clearer - than - crystal - to - the - lords + countries + it + was + clearer + than + crystal + to + the + lords - of - the - State - preserves - of - loaves - and - fishes, - that + of + the + State + preserves + of + loaves + and + fishes, + that - things - in - general - were - settled - for - ever. + things + in + general + were + settled + for + ever.
- It - was - the - year - of - Our - Lord - one - thousand + It + was + the + year + of + Our + Lord + one + thousand - seven - hundred - and - seventy-five. - Spiritual - reve- + seven + hundred + and + seventy-five. + Spiritual + reve- - lations - were - conceded - to - England - at - that + lations + were + conceded + to + England + at + that - favoured - period, - as - at - this. - Mrs. - Southcott - had + favoured + period, + as + at + this. + Mrs. + Southcott + had - recently - attained - her - five-and-twentieth - blessed + recently + attained + her + five-and-twentieth + blessed - birthday, - of - whom - a - prophetic - private - in - the - Life + birthday, + of + whom + a + prophetic + private + in + the + Life - Guards - had - heralded - the - sublime - appearance - by + Guards + had + heralded + the + sublime + appearance + by - announcing - that - arrangements - were - made - for - the + announcing + that + arrangements + were + made + for + the - swallowing - up - of - London - and - Westminster. + swallowing + up + of + London + and + Westminster. - Even - the - Cock-lane - ghost - had - been - laid - only - a + Even + the + Cock-lane + ghost + had + been + laid + only + a - round - dozen - of - years, - after - rapping - out - its - mes- + round + dozen + of + years, + after + rapping + out + its + mes- - sages, - as - the - spirits - of - this - very - year - last - past + sages, + as + the + spirits + of + this + very + year + last + past - (supernaturally - deficient - in - originality) - rapped + (supernaturally + deficient + in + originality) + rapped - out - theirs. - Mere - messages - in - the - earthly - order - of + out + theirs. + Mere + messages + in + the + earthly + order + of - events - had - lately - come - to - the - English - Crown - and + events + had + lately + come + to + the + English + Crown + and - People, - from - a - congress - of - British - subjects - in + People, + from + a + congress + of + British + subjects + in - America: - which, - strange - to - relate, - have - proved + America: + which, + strange + to + relate, + have + proved - more - important - to - the - human - race - than - any - com- + more + important + to + the + human + race + than + any + com- - munications - yet - received - through - any - of - the + munications + yet + received + through + any + of + the - chickens - of - the - Cock-lane - brood. + chickens + of + the + Cock-lane + brood.
- France, - less - favoured - on - the - whole - as - to - mat- + France, + less + favoured + on + the + whole + as + to + mat- - ters - spiritual - than - her - sister - of - the - shield - and - tri- + ters + spiritual + than + her + sister + of + the + shield + and + tri- - dent, - rolled - with - exceeding - smoothness - down + dent, + rolled + with + exceeding + smoothness + down - hill, - making - paper - money - and - spending - it. - Under + hill, + making + paper + money + and + spending + it. + Under - the - guidance - of - her - Christian - pastors, - she - enter- + the + guidance + of + her + Christian + pastors, + she + enter- - tained - herself, - besides, - with - such - humane + tained + herself, + besides, + with + such + humane - achievements - as - sentencing - a - youth - to - have - his + achievements + as + sentencing + a + youth + to + have + his
- hands - cut - off, - his - tongue - torn - out - with - pincers, + hands + cut + off, + his + tongue + torn + out + with + pincers, - and - his - body - burned - alive, - because - he - had - not + and + his + body + burned + alive, + because + he + had + not - kneeled - down - in - the - rain - to - do - honour - to - a - dirty + kneeled + down + in + the + rain + to + do + honour + to + a + dirty - procession - of - monks - which - passed - within - his + procession + of + monks + which + passed + within + his - view, - at - a - distance - of - some - fifty - or - sixty - yards. - It + view, + at + a + distance + of + some + fifty + or + sixty + yards. + It - is - likely - enough - that, - rooted - in - the - woods - of + is + likely + enough + that, + rooted + in + the + woods + of - France - and - Norway, - there - were - growing - trees, + France + and + Norway, + there + were + growing + trees, - when - that - sufferer - was - put - to - death, - already + when + that + sufferer + was + put + to + death, + already - marked - by - the - Woodman, - Fate, - to - come - down + marked + by + the + Woodman, + Fate, + to + come + down - and - be - sawn - into - boards, - to - make - a - certain - mov- + and + be + sawn + into + boards, + to + make + a + certain + mov- - able - framework - with - a - sack - and - a - knife - in - it, - ter- + able + framework + with + a + sack + and + a + knife + in + it, + ter- - rible - in - history. - It - is - likely - enough - that - in - the + rible + in + history. + It + is + likely + enough + that + in + the - rough - outhouses - of - some - tillers - of - the - heavy + rough + outhouses + of + some + tillers + of + the + heavy - lands - adjacent - to - Paris, - there - were - sheltered + lands + adjacent + to + Paris, + there + were + sheltered - from - the - weather - that - very - day, - rude - carts, + from + the + weather + that + very + day, + rude + carts, - bespattered - with - rustic - mire, - snuffed - about - by + bespattered + with + rustic + mire, + snuffed + about + by - pigs, - and - roosted - in - by - poultry, - which - the + pigs, + and + roosted + in + by + poultry, + which + the - Farmer, - Death, - had - already - set - apart - to - be - his + Farmer, + Death, + had + already + set + apart + to + be + his - tumbrils - of - the - Revolution. - But - that - Woodman + tumbrils + of + the + Revolution. + But + that + Woodman - and - that - Farmer, - though - they - work - unceasingly, + and + that + Farmer, + though + they + work + unceasingly, - work - silently, - and - no - one - heard - them - as - they + work + silently, + and + no + one + heard + them + as + they - went - about - with - muffled - tread: - the - rather, - foras- + went + about + with + muffled + tread: + the + rather, + foras- - much - as - to - entertain - any - suspicion - that - they + much + as + to + entertain + any + suspicion + that + they - were - awake, - was - to - be - atheistical - and - traitorous. + were + awake, + was + to + be + atheistical + and + traitorous.
- In - England, - there - was - scarcely - an - amount - of + In + England, + there + was + scarcely + an + amount + of - order - and - protection - to - justify - much - national + order + and + protection + to + justify + much + national - boasting. - Daring - burglaries - by - armed - men, - and + boasting. + Daring + burglaries + by + armed + men, + and - highway - robberies, - took - place - in - the - capital + highway + robberies, + took + place + in + the + capital - itself - every - night; - families - were - publicly - cau- + itself + every + night; + families + were + publicly + cau- - tioned - not - to - go - out - of - town - without - removing + tioned + not + to + go + out + of + town + without + removing - their - furniture - to - upholsterers' - warehouses - for + their + furniture + to + upholsterers' + warehouses + for - security; - the - highwayman - in - the - dark - was - a - City + security; + the + highwayman + in + the + dark + was + a + City - tradesman - in - the - light, - and, - being - recognised - and + tradesman + in + the + light, + and, + being + recognised + and
- 41st - CONGRESS, - } - SENATE. + 41st + CONGRESS, + } + SENATE. - 3d - Session. + 3d + Session.
- MESSAGE + MESSAGE
- OF - THE + OF + THE
- PRESIDENT - OF - THE - UNITED - STATES + PRESIDENT + OF + THE + UNITED + STATES
- A - copy - of - regulations - for - the - consular - courts - of - the - United - States - in - Japan, + A + copy + of + regulations + for + the + consular + courts + of + the + United + States + in + Japan, - decreed - and - issued - by - the - minister - of - the - United - States - in - that - country. + decreed + and + issued + by + the + minister + of + the + United + States + in + that + country.
- Janvary - 27, - 1871—Read, - referred - to - the - Committee - on - Commerce, - and - ordered - to - be + Janvary + 27, + 1871—Read, + referred + to + the + Committee + on + Commerce, + and + ordered + to + be - printed, + printed,
- To - the - Senate - and - House - of - Representatives - : + To + the + Senate + and + House + of + Representatives + :
- I - transmit - herewith, - for - the - consideration - of - Congress, - a - report - from + I + transmit + herewith, + for + the + consideration + of + Congress, + a + report + from - the - Secretary - of - State, - and - the - papers - which - accompanied - it, - concern- + the + Secretary + of + State, + and + the + papers + which + accompanied + it, + concern- - ing - regulations - for - the - consular - courts - of - the - United - States - in - Ja + ing + regulations + for + the + consular + courts + of + the + United + States + in + Ja
- U. - 8. - GRAN + U. + 8. + GRAN
- WASHINGTON, - January - 27, - 1871. + WASHINGTON, + January + 27, + 1871.
- DEPARTMENT - OF - STATE, + DEPARTMENT + OF + STATE, - Washington, - January - 26, - 1870. + Washington, + January + 26, + 1870. - The - Secretary - of - State - has - the - honor - to - submit - herewith, - for - revision + The + Secretary + of + State + has + the + honor + to + submit + herewith, + for + revision - by - Congress, - in - conformity - with - the - provisions - of - section - 6 - of - the - act + by + Congress, + in + conformity + with + the + provisions + of + section + 6 + of + the + act - approved - 22d - of - June, - 1860, - a - copy - of - “regulations - for - the - consular + approved + 22d + of + June, + 1860, + a + copy + of + “regulations + for + the + consular - courts - of - the - United - States - in - Japan,” - decreed - and - issued - by - C. - E. + courts + of + the + United + States + in + Japan,” + decreed + and + issued + by + C. + E. - De - Long, - the - minister - of - the - United - States - in - that - country, - in - Septem- + De + Long, + the + minister + of + the + United + States + in + that + country, + in + Septem- - ber, - 1870; - and - also - the - papers - mentioned - in - the - subjoined - list, - which + ber, + 1870; + and + also + the + papers + mentioned + in + the + subjoined + list, + which - contain - suggestions - on - the - subject - thereof. - : + contain + suggestions + on + the + subject + thereof. + : - A - copy - of - Art - XVI - of - the - consist - regulations - so - Submitted, + A + copy + of + Art + XVI + of + the + consist + regulations + so + Submitted, - and - the - Secretary - of - r - i - ly - , - for - the - consideration + and + the + Secretary + of + r + i + ly + , + for + the + consideration - of - ministers - to - make + of + ministers + to + make - ion, - in - the - sense - in - which - it - is - limited - by - paragraph + ion, + in + the + sense + in + which + it + is + limited + by + paragraph - 431 - of - the - e - be: - fore - named—that - is, - “ - to - acts - necessary - to - organize + 431 + of + the + e + be: + fore + named—that + is, + “ + to + acts + necessary + to + organize - and - give - efficiency - to - the - courts - created - by - the - act.” + and + give + efficiency + to + the + courts + created + by + the + act.” - Respectful - submitted. + Respectful + submitted. - HAMILTON - FISH. + HAMILTON + FISH. - The - PRESIDENT. + The + PRESIDENT.
- List - of - accompanying - papers. + List + of + accompanying + papers.
- 1. - Regulations - for - the - consular - courts - of - the - United - States - in - Japan. + 1. + Regulations + for + the + consular + courts + of + the + United + States + in + Japan. - 2. - Mr. - Fish - to - Mr. - De - Long, - September - 10, - 1870, + 2. + Mr. + Fish + to + Mr. + De + Long, + September + 10, + 1870,
- +