+
+
+
+ This should be a perfect circle:
+
+
+
+
+
+
+ 41st CONGRESS; | SENATE.
+
+ 3d Session. }
+
+
+
+
+
+
+
+ PRESIDENT OF THE UNITED STATES,
+
+
+
+
+
+
+ A copy of regulations for the consular courts of the United States in Japan,
+
+ decreed and issued by the minister of the United States in that country.
+
+
+
+
+
+ January 27, 1871,—Read, referred to the Committee on Commerce, and ordered to be
+
+ printed.
+
+
+
+
+
+ To the Senate and House of Representatives :
+
+
+
+
+ I transmit herewith, for the consideration of Congress, a report from
+
+ the Secretary of State, and the papers which accompanied it, concern-
+
+ ing regulations for the consular courts of the United States in Japan.
+
+
+
+
+ U. 8. GRANT.
+
+
+
+
+ ‘WASHINGTON, January 27, 1871.
+
+
+
+
+
+ DEPARTMENT OF STATE,
+
+ . Washington, January 26, 1870,
+
+
+
+
+ The Secretary of State has the honor to submit herewith, for revision
+
+ by Congress, in conformity with the provisions of section 6 of the act
+
+ approved 22d of June, 1860, a copy of “regulations for the consular
+
+ courts of the United States in Japan,” decreed and issued by C. E.
+
+ De Long, the miniater of the United States in that country, in Septem-
+
+ ber, 1870; and also the papers mentioned in the subjoined list, which,
+
+ contain suggestions on the subject thereof.
+
+
+
+
+ A copy of Article XXVI of the consular regulations is also submitted,
+
+ and the Secretary of State respectfully suggests, for the consideration
+
+ of Congress, the propriety of limiting the power of ministers to make
+
+ decrees and regulation, in the sense in which it is limited by paragraph
+
+ 431 of the article before named—that is, “to acts necessary to organize
+
+ and give efficiency to the courts created by the act.”
+
+
+
+
+ Respectfully submitted. .
+
+
+
+
+ HAMILTON FISH.
+
+
+
+
+
+
+ List of accompanying papers.
+
+
+
+
+
+ 1, Regulations for the consular courts of the United States in Japan.
+
+ 2. Mr. Fish to Mr. De Long, September 10, 1870. .
+
+
+
+
+
+
+
+
+
+ THEY TIP-TOED ALONG.
+
+
+
+
+
+ ae .
+
+ Se We went tip-toeing along a path amongst
+
+
+
+
+
+ the trees back towards the end of the
+
+ widow’s garden, stooping down so as
+
+ the branches wouldn’t scrape our heads.
+
+ When we was passing by the kitchen
+
+ I fell over a root and made a noise.
+
+ We scrouched down and laid still.
+
+ Miss Watson’s big nigger, named
+
+ Jim, was setting in the kitchen door ;
+
+ we could see him pretty clear, because
+
+ there was a light behind him. He
+
+ got up and stretched his neck out
+
+ about a minute, listening. Then he
+
+ says,
+
+
+
+
+ “Who dah?”
+
+
+
+
+ He listened some more; then he
+
+ come tip-toeing down and_ stood
+
+ right between us; we could a touched
+
+ him, nearly. Well, likely it was min-
+
+ utes and minutes that there warn’t a
+
+ sound, and we all there so close
+
+ together. There was a place on my
+
+ ankle that got to itching; but I
+
+
+
+
+
+ dasn’t scratch it; and then my ear begun to itch; and next my back, right be-
+
+ tween my shoulders. Seemed like I’d die if I couldn’t scratch. Well, I’ve
+
+
+
+
+
+ noticed that thing plenty of times since.
+
+
+
+
+
+ Tf you are with the quality, or at a
+
+
+
+
+
+ funeral, or trying to go to sleep when you ain’t sleepy—if you are anywheres
+
+
+
+
+
+
+ Replacement of "creationism" with "intelligent design"
+
+
+
+
+
+
+
+
+
+
+
+
+ 120
+
+ 100 -
+
+ Cc 80
+
+ >
+
+ 5
+
+ 5 607 —@— "Creation" and "creationist"
+
+ 5 —@— "Intelligent design"
+
+ = and "design proponent"
+
+ 40 -
+
+ 20 -
+
+ —@— —@®
+
+ 0 e— T T T ' w °
+
+ gp) ee) 0 oN g\ gD) op)
+
+ oO NC) NC) LN eo N N
+
+ S os o* vs ws os os
+
+ cs) Re ss & ow x & s?
+
+ ge ee Oo ss Ss Ne qs
+
+ G % S S © S
+
+ Ros % se se oe AN
+
+ Ss 3s S Ss Ss Ss Ss
+
+ ow? \O Xo) R g g Q
+
+
+
+
+
+
+ Replacement of "creationism" with "intelligent design"
+
+
+
+
+
+
+
+
+
+
+
+
+ 120
+
+ 100 4
+
+ = 80
+
+ —
+
+ S
+
+ _ 6047 —@— "Creation" and "creationist"
+
+ 5 —@— "Intelligent design"
+
+ and "design proponent"
+
+ S «4
+
+ 20 -
+
+ 0 oe I T T T T ©
+
+ 3) ©) Ay Ay Ay 9 o>)
+
+ ee ow oe oe Cs Cs eS
+
+ RQ Q R R XR Q R
+
+ & es o a al & eo
+
+ 3 e oe we a? i) as?
+
+ 3 4? 3 & oe & &
+
+ oe ww 6 e Qe Qe Qe
+
+
+
+
+
+
+ The LinnSequencer
+
+ 32 Track MIDI Sequence Recorder
+
+
+
+
+
+ The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is
+
+
+
+
+
+ extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include:
+
+
+
+
+ * Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST
+
+ FORWARD, REWIND, and LOCATE controls.
+
+
+
+
+ © Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may
+
+ be assigned to one of 16 MIDI channels, Simultaneously plays up to 16 polyphonic
+
+
+
+
+
+
+ ® Ultra-fast 3'4” disk drive stores complex songs in seconds and holds over 110,000 notes
+
+
+
+
+
+
+ * One or all tracks may be TRANSPOSED at the touch of a key.
+
+ * Exclusive real-time ERASE function makes editing FAST,
+
+ * Exclusive REPEAT function automatically repeats any held notes at a pre-selected
+
+
+
+
+
+ rhythmic value.
+
+
+
+
+
+ * TIMING CORRECTION works during playback and operates without ‘chopping’ notes.
+
+
+
+
+
+ * Optional SMPTE time code synchronization.
+
+
+
+
+
+ * Optional remote control.
+
+
+
+
+
+ Recording a Sequence
+
+
+
+
+ To record a sequence, simply press RECORD and PLAY,
+
+ then play your MIDI keyboard in time to the Sequencer’s
+
+ click track. When the sequence loops back around to bar 1,
+
+ you’ll hear what you played—only all timing errors will be
+
+ corrected! (Timing correction may be adjusted or defeated).
+
+ Any additional notes played will be added into the track
+
+ —existing notes are not erased while recording!
+
+
+
+
+ FAST FORWARD, REWIND, and LOCATE controls
+
+ may be used at any time to quickly access any location in
+
+ your sequence for spot-recording. To overdub a new part,
+
+ select a different track and Start recording—while you
+
+ record, the first track will play in perfect sync (unless you
+
+ MUTE it, or SOLO another track). In this way, up to 32
+
+ tracks may be overdubbed! AI] MIDI effects are recorded
+
+ including pitch bend, modulation, velocity, aftertouch,
+
+ sustain pedal, and program changes!
+
+
+
+
+
+ Editing
+
+
+
+
+ To erase a wrong note, simply hold ERASE and press
+
+ the note to be erased just before it plays in the sequence—
+
+ when played back, it will be gone. Notes may also be
+
+
+
+
+
+ added, erased, or changed using the SINGLE STEP func-
+
+ tion. To overdub notes at specific points within a sequence,
+
+
+
+
+
+ Additional Features
+
+
+
+
+
+ simply use LOCATE, FAST FORWARD, or REWIND to
+
+ find the desired bar number, then start recording.
+
+
+
+
+ The INSERT/COPY function allows you to move bars
+
+ from one location to another—in the same sequence or a
+
+ different one. For example, you might insert a copy of the
+
+ first verse between the second chorus and the bridge.
+
+ DELETE BARS operates the same way to remove
+
+ unwanted sections,
+
+
+
+
+
+ Creating a Song
+
+
+
+
+ One way to create a song is to record each track all the
+
+ way through (up to 999 bars). Another way is to record
+
+ each basic section (verse, chorus, etc.) in individual
+
+ sequences, then use the CREATE SONG function to “chain”
+
+ them together. CREATE SONG will then automatically
+
+ copy all the parts into a new sequence. If desired, you can
+
+ even set the last few bars to repeat infinitely, for a fadeout.
+
+
+
+
+
+ Composition Without Compromise
+
+
+
+
+ The technology you use should never be so complex that
+
+ it interferes with the creative process, That’s precisely why
+
+ the LinnSequencer js designed to let you compose, record
+
+ and edit while devoting your undivided attention to your
+
+ music. See your Linn dealer today for a demonstration!
+
+
+
+
+
+ * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the
+
+
+
+
+
+ HELP button displays additional explanations.
+
+
+
+
+
+ * Non-destructive recording—existing notes are not erased while recording.
+
+ * Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
+
+ OCATE.
+
+
+
+
+
+ ERASE, REPEAT, PLAY/ STOP, or L
+
+
+
+
+
+ * Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
+
+
+
+
+
+ * Will sync to standard LinnDrum or Linn 9000 sync tone.
+
+
+
+
+
+ * Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation.
+
+ * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second,
+
+
+
+
+
+ (even drop frame!)
+
+
+
+
+
+ * TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
+
+
+
+
+
+ on the TAP TEMPO button.
+
+
+
+
+
+ * TEMPO CHANGES may be programmed into a sequence,
+
+ * Any TIME SIGNATURE May be used, and may be change
+
+
+
+
+
+ with smooth transitions if desired.
+
+ d within a song.
+
+
+
+
+
+ linn
+
+ Linn Electronics, Inc.
+
+
+
+
+
+ 18720 Oxnard Street, Tarzana, CA 91356
+
+ (818) 708-8131 TELEX #298949 LINN UR
+
+
+
+
+
+
+ The LinnSequencer
+
+ 32 Track MIDI Sequence Recorder
+
+
+
+
+
+ The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is
+
+ extremely powerful, yet amazingly simple to learn and use. It ’s many remarkable features include:
+
+
+
+
+
+ * Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST
+
+ FORWARD, REWIND, and LOCATE controls,
+
+
+
+
+
+ © Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may
+
+ be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic
+
+ synthesizers!
+
+
+
+
+
+ * Ultra-fast 314" disk drive stores complex songs in seconds and holds over 110,000 notes
+
+ per disk!
+
+
+
+
+
+ * One or all tracks may be TRANSPOSED at the touch of a key.
+
+ ¢ Exclusive real-time ERASE function makes editing FAST,
+
+
+
+
+
+ * Exclusive REPEAT function automatically repeats any held notes at a pre-selected
+
+ rhythmic value.
+
+
+
+
+
+ * TIMING CORRECTION works during playback and operates without ‘chopping’ notes,
+
+ ¢ Optional SMPTE time code synchronization.
+
+ * Optional remote control.
+
+
+
+
+
+ Recording a Sequence simply use LOCATE, FAST FORWARD, or REWIND to
+
+ To record a sequence, simply press RECORD and PL AY, _ find the desired bar number, then Start recording.
+
+ then play your MIDI keyboard in time to the Sequencer’s The INSERT/COPY function allows you to move bars
+
+
+
+
+
+ click track, When the sequence loops back around to bar 1, from one location to another—in the same sequence or a
+
+ you'll hear what you played—only all timing errors will be _different one. For example, you might insert a copy of the
+
+ corrected! (Timing correction may be adjusted or defeated), _ first verse between the second chorus and the bridge.
+
+ Any additional notes played will be added into the track DELETE BARS operates the same way to remove
+
+ —existing notes are not erased while recording! unwanted sections,
+
+
+
+
+ FAST FORWARD, REWIND, and LOCATE controls .
+
+ may be used at any time to quickly access any location in Creating a Song
+
+
+
+
+
+ your sequence for spot-recording. To overdub a new part, One way to create a song is to record each track all the
+
+ select a different track and start recording—while you way through (up to 999 bars), Another way is to record
+
+ record, the first track will play in perfect sync (unless you each basic section (verse, chorus, etc.) in individual
+
+
+
+
+
+ MUTE it, or SOLO another track). In this way, up to 32 sequences, then use the CREATE SONG function to “chain”
+
+ tracks may be overdubbed! All MIDI effects are recorded them together. CREATE SONG will then automatically
+
+
+
+
+
+ including pitch bend, modulation, velocity, aftertouch, Copy all the parts into a new sequence. If desir ed, you can
+
+ sustain pedal, and program changes! even set the last few bars to repeat infinitely, for a fadeout.
+
+ Editing Composition Without Compromise
+
+
+
+
+ To erase a wrong note, simply hold ERASE and press The technology you use should never be so complex that
+
+ the note to be erased just before it plays in the sequence— it interferes with the creative process. That’s precisely why
+
+ when played back, it will be gone. Notes may also be the LinnSequencer is designed to let you compose, record
+
+
+
+
+
+ added, erased, or changed using the SINGLE STEP func- and edit while devoting your undivided attention to your
+
+ tion. To overdub notes at specific points within a Sequence, — music. See your Linn dealer today for a demonstration!
+
+
+
+
+
+ Additional Features
+
+
+
+
+
+ * Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations, If needed, the
+
+ HELP button displays additional explanations,
+
+
+
+
+
+ * Non-destructive recording—existing notes are not erased while recording.
+
+
+
+
+
+ * Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including
+
+ ERASE, REPEAT, PLAY/ STOP, or LOCATE,
+
+
+
+
+
+ * Two TRIGGER OUTPUTS may be programmed to output pulses at any selected note value.
+
+ © Will sync to standard LinnDrum or Linn 9000 sync tone,
+
+ * Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation.
+
+
+
+
+
+ * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second,
+
+ (even drop frame!)
+
+
+
+
+
+ * TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes
+
+ on the TAP TEMPO button.
+
+
+
+
+
+ * TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired.
+
+
+
+
+
+ « Any TIME SIGNATURE may be used, and may be changed within a song.
+
+ linn
+
+
+
+
+
+ Linn Electronics, Inc.
+
+ 18720 Oxnard Street, Tarzana, CA 91356
+
+ (818) 708-8131 TELEX #298949 LINN UR
+
+
+
+