diff --git a/src/ocrmypdf/_exec/ghostscript.py b/src/ocrmypdf/_exec/ghostscript.py index 3582a6eb..5c357f1b 100644 --- a/src/ocrmypdf/_exec/ghostscript.py +++ b/src/ocrmypdf/_exec/ghostscript.py @@ -166,6 +166,7 @@ class GhostscriptFollower: def generate_pdfa( pdf_pages, output_file: os.PathLike, + *, compression: str, pdf_version: str = '1.5', pdfa_part: str = '2', @@ -195,10 +196,11 @@ def generate_pdfa( "-dAutoFilterGrayImages=true", ] + strategy = 'LeaveColorUnchanged' # Older versions of Ghostscript expect a leading slash in # sColorConversionStrategy, newer ones should not have it. See Ghostscript # git commit fe1c025d. - strategy = 'RGB' if version() >= '9.19' else '/RGB' + strategy = ('/' + strategy) if version() < '9.19' else strategy if version() == '9.23': # 9.23: added JPEG passthrough as a new feature, but with a bug that diff --git a/src/ocrmypdf/_exec/tesseract.py b/src/ocrmypdf/_exec/tesseract.py index 46e810c7..7f7c06a4 100644 --- a/src/ocrmypdf/_exec/tesseract.py +++ b/src/ocrmypdf/_exec/tesseract.py @@ -221,6 +221,7 @@ def _generate_null_hocr(output_hocr, output_text, image): def generate_hocr( + *, input_file: Path, output_hocr: Path, output_text: Path, diff --git a/src/ocrmypdf/_exec/unpaper.py b/src/ocrmypdf/_exec/unpaper.py index 5798ed55..5226326d 100644 --- a/src/ocrmypdf/_exec/unpaper.py +++ b/src/ocrmypdf/_exec/unpaper.py @@ -69,7 +69,7 @@ def _setup_unpaper_io(tmpdir: Path, input_file: Path) -> Tuple[Path, Path]: def run( - input_file: Path, output_file: Path, dpi: DecFloat, mode_args: List[str] + input_file: Path, output_file: Path, *, dpi: DecFloat, mode_args: List[str] ) -> None: args_unpaper = ['unpaper', '-v', '--dpi', str(round(dpi, 6))] + mode_args @@ -114,6 +114,7 @@ def validate_custom_args(args: str) -> List[str]: def clean( input_file: Path, output_file: Path, + *, dpi: DecFloat, unpaper_args: Optional[List[str]] = None, ): @@ -130,4 +131,4 @@ def clean( ] if not unpaper_args: unpaper_args = default_args - run(input_file, output_file, dpi, unpaper_args) + run(input_file, output_file, dpi=dpi, mode_args=unpaper_args) diff --git a/src/ocrmypdf/_graft.py b/src/ocrmypdf/_graft.py index 33d18e13..41db5e5e 100644 --- a/src/ocrmypdf/_graft.py +++ b/src/ocrmypdf/_graft.py @@ -6,22 +6,31 @@ import logging +import uuid from contextlib import suppress from pathlib import Path from typing import Optional import pikepdf +from pikepdf.objects import Dictionary, Name log = logging.getLogger(__name__) MAX_REPLACE_PAGES = 100 -def _update_page_resources(*, page, font, font_key, procset): - """Update this page's fonts with a reference to the Glyphless font""" +def _ensure_dictionary(obj, name): + if name not in obj: + obj[name] = pikepdf.Dictionary({}) + return obj[name] - if '/Resources' not in page: - page['/Resources'] = pikepdf.Dictionary({}) - resources = page['/Resources'] + +def _update_resources(*, obj, font, font_key, procset): + """Update this obj's fonts with a reference to the Glyphless font. + + obj can be a page or Form XObject. + """ + + resources = _ensure_dictionary(obj, '/Resources') try: fonts = resources['/Font'] except KeyError: @@ -32,7 +41,8 @@ def _update_page_resources(*, page, font, font_key, procset): # Reassign /ProcSet to one that just lists everything - ProcSet is # obsolete and doesn't matter but recommended for old viewer support - resources['/ProcSet'] = procset + if procset: + resources['/ProcSet'] = procset def strip_invisible_text(pdf, page): @@ -169,13 +179,13 @@ class OcrGrafter: """ page0 = self.pdf_base.pages[0] - _update_page_resources( - page=page0, font=self.font, font_key=self.font_key, procset=self.procset + _update_resources( + obj=page0, font=self.font, font_key=self.font_key, procset=self.procset ) # We cannot read and write the same file, that will corrupt it # but we don't to keep more copies than we need to. Delete intermediates. - # {interim_count} is the opened file we were updateing + # {interim_count} is the opened file we were updating # {interim_count - 1} can be deleted # {interim_count + 1} is the new file will produce and open old_file = self.output_file.with_suffix(f'.working{self.interim_count - 1}.pdf') @@ -210,6 +220,7 @@ class OcrGrafter: pdf_text_fonts = pdf_text.pages[0].Resources.get('/Font', {}) except (AttributeError, IndexError, KeyError): return None, None + pdf_text_font = None for f in possible_font_names: pdf_text_font = pdf_text_fonts.get(f, None) if pdf_text_font is not None: @@ -279,17 +290,29 @@ class OcrGrafter: # finally move the lower left corner to match the mediabox ctm = translate @ rotate @ scale @ untranslate @ corner - pdf_text_contents = ( - b'q %s cm\n' % ctm.encode() + pdf_text_contents + b'\nQ\n' + base_resources = _ensure_dictionary(base_page, '/Resources') + base_xobjs = _ensure_dictionary(base_resources, '/XObject') + text_xobj_name = Name('/' + str(uuid.uuid4())) + xobj = self.pdf_base.make_stream(pdf_text_contents) + base_xobjs[text_xobj_name] = xobj + xobj.Type = Name.XObject + xobj.Subtype = Name.Form + xobj.FormType = 1 + xobj.BBox = mediabox + _update_resources( + obj=xobj, font=font, font_key=font_key, procset=[Name.PDF] ) - new_text_layer = pikepdf.Stream(self.pdf_base, pdf_text_contents) + pdf_draw_xobj = ( + (b'q %s cm\n' % ctm.encode()) + (b'%s Do\n' % text_xobj_name) + b'\nQ\n' + ) + new_text_layer = pikepdf.Stream(self.pdf_base, pdf_draw_xobj) if strip_old_text: strip_invisible_text(self.pdf_base, base_page) base_page.page_contents_add(new_text_layer, prepend=True) - _update_page_resources( - page=base_page, font=font, font_key=font_key, procset=procset + _update_resources( + obj=base_page, font=font, font_key=font_key, procset=procset ) diff --git a/src/ocrmypdf/_pipeline.py b/src/ocrmypdf/_pipeline.py index 329a2cc0..fd8d3ac1 100644 --- a/src/ocrmypdf/_pipeline.py +++ b/src/ocrmypdf/_pipeline.py @@ -483,7 +483,12 @@ def preprocess_deskew(input_file: Path, page_context: PageContext): def preprocess_clean(input_file: Path, page_context: PageContext): output_file = page_context.get_path('pp_clean.png') dpi = get_page_square_dpi(page_context.pageinfo, page_context.options) - unpaper.clean(input_file, output_file, dpi.x, page_context.options.unpaper_args) + unpaper.clean( + input_file, + output_file, + dpi=dpi.x, + unpaper_args=page_context.options.unpaper_args, + ) return output_file @@ -627,9 +632,9 @@ def render_hocr_page(hocr: Path, page_context: PageContext): dpi = get_page_square_dpi(page_context.pageinfo, options) debug_mode = options.pdf_renderer == 'hocrdebug' - hocrtransform = HocrTransform(hocr, dpi.x) # square + hocrtransform = HocrTransform(hocr_filename=hocr, dpi=dpi.x) # square hocrtransform.to_pdf( - output_file, + out_filename=output_file, image_filename=None, show_bounding_boxes=False if not debug_mode else True, invisible_text=True if not debug_mode else False, diff --git a/src/ocrmypdf/api.py b/src/ocrmypdf/api.py index 9bce5352..65ab910b 100644 --- a/src/ocrmypdf/api.py +++ b/src/ocrmypdf/api.py @@ -48,6 +48,7 @@ class Verbosity(IntEnum): def configure_logging( verbosity: Verbosity, + *, progress_bar_friendly: bool = True, manage_root_logger: bool = False, plugin_manager=None, diff --git a/src/ocrmypdf/hocrtransform.py b/src/ocrmypdf/hocrtransform.py index ea75f51e..6c64bcff 100755 --- a/src/ocrmypdf/hocrtransform.py +++ b/src/ocrmypdf/hocrtransform.py @@ -77,7 +77,7 @@ class HocrTransform: {'ff': 'ff', 'ffi': 'f‌f‌i', 'ffl': 'f‌f‌l', 'fi': 'fi', 'fl': 'fl'} ) - def __init__(self, hocr_filename: Union[str, Path], dpi: float): + def __init__(self, *, hocr_filename: Union[str, Path], dpi: float): self.dpi = dpi self.hocr = ElementTree.parse(os.fspath(hocr_filename)) @@ -182,6 +182,7 @@ class HocrTransform: def to_pdf( self, + *, out_filename: Path, image_filename: Optional[Path] = None, show_bounding_boxes: bool = False, @@ -433,10 +434,10 @@ if __name__ == "__main__": parser.add_argument('outputfile', help='Path to the PDF file to be generated') args = parser.parse_args() - hocr = HocrTransform(args.hocrfile, args.resolution) + hocr = HocrTransform(hocr_filename=args.hocrfile, dpi=args.resolution) hocr.to_pdf( - args.outputfile, - args.image, - args.boundingboxes, + out_filename=args.outputfile, + image_filename=args.image, + show_bounding_boxes=args.boundingboxes, interword_spaces=args.interword_spaces, ) diff --git a/src/ocrmypdf/optimize.py b/src/ocrmypdf/optimize.py index a26057f4..038e454d 100644 --- a/src/ocrmypdf/optimize.py +++ b/src/ocrmypdf/optimize.py @@ -34,7 +34,7 @@ from ocrmypdf._concurrent import Executor, SerialExecutor from ocrmypdf._exec import jbig2enc, pngquant from ocrmypdf._jobcontext import PdfContext from ocrmypdf.exceptions import OutputFileAccessError -from ocrmypdf.helpers import deprecated, safe_symlink +from ocrmypdf.helpers import safe_symlink log = logging.getLogger(__name__) @@ -62,10 +62,6 @@ def jpg_name(root: Path, xref: Xref) -> Path: return img_name(root, xref, '.jpg') -def tif_name(root: Path, xref: Xref) -> Path: - return img_name(root, xref, '.tif') - - def extract_image_filter( pike: Pdf, root: Path, image: Object, xref: Xref ) -> Optional[Tuple[PdfImage, Tuple[Name, Object]]]: @@ -523,81 +519,6 @@ def transcode_pngs( _transcode_png(pike, filename, xref) -@deprecated -def rewrite_png_as_g4(pike: Pdf, im_obj: Object, compdata) -> None: # pragma: no cover - im_obj.BitsPerComponent = 1 - im_obj.Width = compdata.w - im_obj.Height = compdata.h - - im_obj.write(compdata.read()) - - log.debug(f"PNG to G4 {im_obj.objgen}") - if Name.Predictor in im_obj: - del im_obj.Predictor - if Name.DecodeParms in im_obj: - del im_obj.DecodeParms - im_obj.DecodeParms = Dictionary( - K=-1, BlackIs1=bool(compdata.minisblack), Columns=compdata.w - ) - - im_obj.Filter = Name.CCITTFaxDecode - return - - -@deprecated -def rewrite_png(pike: Pdf, im_obj: Object, compdata) -> None: # pragma: no cover - # When a PNG is inserted into a PDF, we more or less copy the IDAT section from - # the PDF and transfer the rest of the PNG headers to PDF image metadata. - # One thing we have to do is tell the PDF reader whether a predictor was used - # on the image before Flate encoding. (Typically one is.) - # According to Leptonica source, PDF readers don't actually need us - # to specify the correct predictor, they just need a value of either: - # 1 - no predictor - # 10-14 - there is a predictor - # Leptonica's compdata->predictor only tells TRUE or FALSE - # 10-14 means the actual predictor is specified in the data, so for any - # number >= 10 the PDF reader will use whatever the PNG data specifies. - # In practice Leptonica should use Paeth, 14, but 15 seems to be the - # designated value for "optimal". So we will use 15. - # See: - # - PDF RM 7.4.4.4 Table 10 - # - https://github.com/DanBloomberg/leptonica/blob/master/src/pdfio2.c#L757 - predictor = 15 if compdata.predictor > 0 else 1 - dparms = Dictionary(Predictor=predictor) - if predictor > 1: - dparms.BitsPerComponent = compdata.bps # Yes, this is redundant - dparms.Colors = compdata.spp - dparms.Columns = compdata.w - - im_obj.BitsPerComponent = compdata.bps - im_obj.Width = compdata.w - im_obj.Height = compdata.h - - log.debug( - f"PNG {im_obj.objgen}: palette={compdata.ncolors} spp={compdata.spp} bps={compdata.bps}" - ) - if compdata.ncolors > 0: - # .ncolors is the number of colors in the palette, not the number of - # colors used in a true color image. The palette string is always - # given as RGB tuples even when the image is grayscale; see - # https://github.com/DanBloomberg/leptonica/blob/master/src/colormap.c#L2067 - palette_pdf_string = compdata.get_palette_pdf_string() - palette_data = pikepdf.Object.parse(palette_pdf_string) - palette_stream = pikepdf.Stream(pike, bytes(palette_data)) - palette = [Name.Indexed, Name.DeviceRGB, compdata.ncolors - 1, palette_stream] - cs = palette - else: - # ncolors == 0 means we are using a colorspace without a palette - if compdata.spp == 1: - cs = Name.DeviceGray - elif compdata.spp == 4: - cs = Name.DeviceCMYK - else: # spp == 3 - cs = Name.DeviceRGB - im_obj.ColorSpace = cs - im_obj.write(compdata.read(), filter=Name.FlateDecode, decode_parms=dparms) - - def optimize( input_file: Path, output_file: Path, diff --git a/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 86270f49..023d341f 100644 Binary files a/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/2400dpi/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 1617a5b9..edfe4b01 100644 Binary files a/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/3small/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin b/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin index 71e9d0fd..22b7068b 100644 Binary files a/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/3small/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin b/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin index 71ee3be3..0bb07c30 100644 Binary files a/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/3small/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index d9e82eb8..4a5241fc 100644 --- a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -
+

diff --git a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 4601a610..a0e93b41 100644 Binary files a/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/aspect/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index ac662824..51333eae 100644 --- a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+

diff --git a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index ec8b419e..394e7bbd 100644 Binary files a/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/cardinal/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin index b8ce17c6..23a18626 100644 --- a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/hocr.bin @@ -9,1054 +9,1054 @@ -

-
-

- - The - LinnSequencer +

+
+

+ + The + LinnSequencer - - 32 - Track - MIDI - Sequence - Recorder + + 32 + Track + MIDI + Sequence + Recorder

-
-

- - The - LinnSequencer - is - a - state-of-the-art - composition - and - performance - tool - for - the - professional - musician. - It - is +

+

+ + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is

-

- - extremely - powerful, - yet - amazingly - simple - to - learn - and - use. - It’s - many - remarkable - features - include: +

+ + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:

-

- - ¢ - Operation - is - similar - to - multi-track - tape - recorder - with - PLAY, - STOP, - RECORD, - FAST +

+ + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST - - FORWARD, - REWIND, - and - LOCATE - controls. + + FORWARD, + REWIND, + and + LOCATE + controls.

-
-

- - e - Each - of - the - 100 - sequences - contains - 32 - simultaneous, - polyphonic - tracks. - Each - track - may +

+

+ + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may - - be - assigned - to - one - of - 16 - MIDI - channels. - Simultaneously - plays - up - to - 16 - polyphonic + + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic

-
-

- - synthesizers! +

+

+ + synthesizers!

-
-

- - ¢ - Ultra-fast - 3%” - disk - drive - stores - complex - songs - in - seconds - and - holds - over - 110,000 - notes +

+

+ + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes

-
-

- - per - disk! +

+

+ + per + disk!

-
-

- - ¢ - One - or - all - tracks - may - be - TRANSPOSED - at - the - touch - of - a - key. +

+

+ + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. - - e - Exclusive - real-time - ERASE - function - makes - editing - FAST. + + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. - - * - Exclusive - REPEAT - function - automatically - repeats - any - held - notes - at - a - pre-selected + + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected

-
-

- - rhythmic - value. +

+

+ + rhythmic + value.

-
-

- - ¢ - TIMING - CORRECTION - works - during - playback - and - operates - without - ‘chopping’ - notes. +

+

+ + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes.

-
-

- - ¢ - Optional - SMPTE - time - code - synchronization. +

+

+ + ¢ + Optional + SMPTE + time + code + synchronization.

-
-

- - © - Optional - remote - control. +

+

+ + © + Optional + remote + control.

-
-

- - Recording - a - Sequence +

+

+ + Recording + a + Sequence

-

- - To - record - a - sequence, - simply - press - RECORD - and - PLAY, +

+ + To + record + a + sequence, + simply + press + RECORD + and + PLAY, - - then - play - your - MIDI - keyboard - in - time - to - the - Sequencer’s + + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s - - click - track. - When - the - sequence - loops - back - around - to - bar - 1, + + click + track. + When + the + sequence + loops + back + around + to + bar + 1, - - you’ - ll - hear - what - you - played—only - all - timing - errors - will - be + + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be

-
-

- - corrected! - (Timing - correction - may - be - adjusted - or - defeated). +

+

+ + corrected! + (Timing + correction + may + be + adjusted + or + defeated).

-
-

- - Any - additional - notes - played - will - be - added - into - the - track +

+

+ + Any + additional + notes + played + will + be + added + into + the + track - - — - existing - notes - are - not - erased - while - recording! + + — + existing + notes + are + not + erased + while + recording!

-

- - FAST - FORWARD, - REWIND, - and - LOCATE - controls +

+ + FAST + FORWARD, + REWIND, + and + LOCATE + controls - - may - be - used - at - any - time - to - quickly - access - any - location - in + + may + be + used + at + any + time + to + quickly + access + any + location + in - - your - sequence - for - spot-recording. - To - overdub - a - new - part, + + your + sequence + for + spot-recording. + To + overdub + a + new + part, - - select - a - different - track - and - start - recording—while - you + + select + a + different + track + and + start + recording—while + you - - record, - the - first - track - will - play - in - perfect - sync - (unless - you + + record, + the + first + track + will + play + in + perfect + sync + (unless + you - - MUTE - it, - or - SOLO - another - track). - In - this - way, - up - to - 32 + + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 - - tracks - may - be - overdubbed! - All - MIDI - effects - are - recorded + + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded - - including - pitch - bend, - modulation, - velocity, - aftertouch, + + including + pitch + bend, + modulation, + velocity, + aftertouch, - - sustain - pedal, - and - program - changes! + + sustain + pedal, + and + program + changes!

-
-

- - Editing +

+

+ + Editing

-

- - To - erase - a - wrong - note, - simply - hold - ERASE - and - press +

+ + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - - the - note - to - be - erased - just - before - it - plays - in - the - sequence— + + the + note + to + be + erased + just + before + it + plays + in + the + sequence— - - when - played - back, - it - will - be - gone. - Notes - may - also - be + + when + played + back, + it + will + be + gone. + Notes + may + also + be

-
-

- - added, - erased, - or - changed - using - the - SINGLE - STEP - func- +

+

+ + added, + erased, + or + changed + using + the + SINGLE + STEP + func- - - tion. - To - overdub - notes - at - specific - points - within - a - sequence, + + tion. + To + overdub + notes + at + specific + points + within + a + sequence,

-
-

- - Additional - Features +

+

+ + Additional + Features

-
-

- - simply - use - LOCATE, - FAST - FORWARD, - or - REWIND - to +

+

+ + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to - - find - the - desired - bar - number, - then - start - recording. + + find + the + desired + bar + number, + then + start + recording.

-

- - The - INSERT/COPY - function - allows - you - to - move - bars +

+ + The + INSERT/COPY + function + allows + you + to + move + bars - - from - one - location - to - another—in - the - same - sequence - or - a + + from + one + location + to + another—in + the + same + sequence + or + a - - different - one. - For - example, - you - might - insert - a - copy - of - the + + different + one. + For + example, + you + might + insert + a + copy + of + the - - first - verse - between - the - second - chorus - and - the - bridge. + + first + verse + between + the + second + chorus + and + the + bridge. - - DELETE - BARS - operates - the - same - way - to - remove + + DELETE + BARS + operates + the + same + way + to + remove - - unwanted - sections, + + unwanted + sections,

-
-

- - Creating - a - Song +

+

+ + Creating + a + Song

-

- - One - way - to - create - a - song - is - to - record - each - track - all - the +

+ + One + way + to + create + a + song + is + to + record + each + track + all + the - - way - through - (up - to - 999 - bars). - Another - way - is - to - record + + way + through + (up + to + 999 + bars). + Another + way + is + to + record - - each - basic - section - (verse, - chorus, - etc.) - in - individual + + each + basic + section + (verse, + chorus, + etc.) + in + individual - - sequences, - then - use - the - CREATE - SONG - function - to - “chain” + + sequences, + then + use + the + CREATE + SONG + function + to + “chain” - - them - together. - CREATE - SONG - will - then - automatically + + them + together. + CREATE + SONG + will + then + automatically - - copy - all - the - parts - into - a - new - sequence. - If - desired, - you - can + + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can - - even - set - the - last - few - bars - to - repeat - infinitely, - for - a - fadeout. + + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.

-
-

- - Composition - Without - Compromise +

+

+ + Composition + Without + Compromise

-

- - The - technology - you - use - should - never - be - so - complex - that +

+ + The + technology + you + use + should + never + be + so + complex + that - - it - interferes - with - the - creative - process. - That’s - precisely - why + + it + interferes + with + the + creative + process. + That’s + precisely + why - - the - LinnSequencer - is - designed - to - let - you - compose, - record + + the + LinnSequencer + is + designed + to + let + you + compose, + record - - and - edit - while - devoting - your - undivided - attention - to - your + + and + edit + while + devoting + your + undivided + attention + to + your - - music. - See - your - Linn - dealer - today - for - a - demonstration! + + music. + See + your + Linn + dealer + today + for + a + demonstration!

-
-

- - * - Simple, - easy - to - learn - operation—the - 32 - character - LCD - display - clearly - guides - you - through - all - operations. - If - needed, - the +

+

+ + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the

-
-

- - HELP - button - displays - additional - explanations. +

+

+ + HELP + button + displays + additional + explanations.

-
-

- - * - Non-destructive - recording—existing - notes - are - not - erased - while - recording. +

+

+ + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. - - ¢ - Two - FOOTSWITCH - INPUTS - may - be - assigned - to - remotely - control - many - of - the - commonly - used - functions, - including + + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including

-
-

- - ERASE, - REPEAT, - PLAY/STOP, - or - LOCATE. +

+

+ + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.

-
-

- - ¢ - Iwo - TRIGGER - OUTPUTS - may - be - programmed - to - output - pulses - at - any - selected - note - value. +

+

+ + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.

-
-

- - © - Will - sync - to - standard - LinnDrum - or - Linn - 9000 - sync - tone. +

+

+ + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.

-
-

- - ® - Utilizes - ultra - high-speed, - 8 - MHz - 80186 - 16 - bit - computer - internally - for - FAST - operation. +

+

+ + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. - - * - TEMPO - may - be - specified - in - BEATS-PER-MINUTE - or - FRAMES-PER-BEAT - at - 24, - 25, - or - 30 - frames - per - second, + + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,

-
-

- - (even - drop - frame!) +

+

+ + (even + drop + frame!)

-
-

- - ¢ - TEMPO - may - be - entered - numerically, - adjustable - in - tenths - of - a - Beat-Per-Minute - increments, - or - by - tapping - quarter - notes +

+

+ + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes

-
-

- - on - the - TAP - TEMPO - button. +

+

+ + on + the + TAP + TEMPO + button.

-
-

- - ¢ - TEMPO - CHANGES - may - be - programmed - into - a - sequence, - with - smooth - transitions - if - desired. +

+

+ + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. - - ¢ - Any - TIME - SIGNATURE - may - be - used, - and - may - be - changed - within - a - song. + + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.

-
-

- - nn +

+

+ + linn + + + Linn + Electronics, + Inc.

-
-

- - Linn - Electronics, - Inc. +

+

+ + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 - - 18720 - Oxnard - Street, - Tarzana, - CA - 91356 - - - (818) - 708-8131 - TELEX - #298949 - LINN - UR + + (818) + 708-8131 + TELEX + #298949 + LINN + UR

diff --git a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/txt.bin b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/txt.bin index 686fd1ac..d3c2e860 100644 --- a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/txt.bin +++ b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_hocr__hocr__txt/txt.bin @@ -103,7 +103,7 @@ ERASE, REPEAT, PLAY/STOP, or LOCATE. © Will sync to standard LinnDrum or Linn 9000 sync tone. -® Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. +© Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. * TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, (even drop frame!) @@ -115,9 +115,9 @@ on the TAP TEMPO button. ¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. ¢ Any TIME SIGNATURE may be used, and may be changed within a song. -nn - +linn Linn Electronics, Inc. + 18720 Oxnard Street, Tarzana, CA 91356 (818) 708-8131 TELEX #298949 LINN UR \ No newline at end of file diff --git a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin index d8df92f6..dd362045 100644 Binary files a/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/cardinal/__-l__eng__000002_ocr.png__000002_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin index 37d78ff1..48bd2afa 100644 --- a/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin @@ -9,1084 +9,1054 @@ -
-
-

- - 2A - NNI‘I - 6F6867# - XATALL - IE18-80L - (818) +

+
+

+ + The + LinnSequencer + + + 32 + Track + MIDI + Sequence + Recorder

-
-

- - 9SEI6 - VO - “BUBZIRY, - “J0aNS - PIPUXO - OZLEI - - - “Uy - ‘soTUOMOI,q - UUrT - -

-
-
-

- - uut] - -

-
-
-

- - “‘SUOS - B - UIJIM - pasueyo - oq - ABU - pue - ‘posn - oq - AWW - AYN - IVNOIS - AWLL - AUV - - - “parlsop - Jr - SUOTIISUBI} - YIOOUIS - YIM - “BoueNbas - eB - OJUI - pourtueIZOId - 9q - ABU - SFONWHO - OdINAL - e - -

-
-
-

- - ‘uonng - OdNAL - dV - L - 9) - uO - -

-
-
-

- - sojou - Jayienb - Suiddy} - Aq - 10 - ‘syUSTIOIOUI - oINUTIAI-J8g-Jesg - & - JO - sys} - UL - ofquisn(pe - ‘ATTeouIAUINU - paiajus - oq - ABU - OdINALL - e - -

-
-
-

- - (jouer - doup - u3a9) - -

-
-
-

- - “puooes - Jed - souely - O€ - 10 - “SZ - “pz - 18 - [LVAG-MAd-SHN - VU - 10 - ALOANIWAAd-SLVAd - U! - patyoeds - aq - kewl - OAL - « - - - ‘uoTe1odo - [SVx - JO} - Aj[eusoyUT - JoyndUIOd - 11g - 9] - 98108 - ZHI - 8g - ‘poeds-ysry - Bann - soz] - e - -

-
-
-

- - "9U0} - DUAS - 0006 - UUL] - Jo - wNIqUUr] - prepue}s - 0} - OUAS - [ITAA - © - -

-
-
-

- - “ONYBA - 9}OU - poloapes - Aue - Je - sas—nd - jndyno - 07 - pewureigold - 3q - ACW - SL - Ad - LNO - YADONAL - OML - -

-
-
-

- - "ALVOOT - 10 - GOLS/AV - 1d - ‘LWddad - “ASV - -

-
-
-

- - SUIpNpoUr - ‘suOTIOUN] - posn - A[UOUILUOS - 94] - JO - AUBUT - [O1]UOD - AJ9]OWIAI - 0} - PousIsse - oq - ACUI - ST - AdNI - HOLIMSLOO - OME - « - - - “SUIPIONAI - I[IYM - P2sesd - JOU - Iv - $3}OU - BUTISIXO—ZUIPIOIA - SATON.ASOP-UON - -

-
-
-

- - ‘suoneurldxa - peuoyippe - sdeydsip - uowng - g1TqH - -

-
-
-

- - oy] - ‘pepsau - JI - ‘suoneiodo - [ye - yYsnosy] - NOA - sapins - ApIespo - Avfdsip - QO] - Joey - Z7¢ - 9y3—uoeIodo - Urea] - 0} - Ased - ‘aus - « - -

-
-
-

- - jUorel]suowtap - & - IO} - Aepol - Jayeap - uur’] - INOA - dag - ‘dISHUL - - - INOA - 0} - UONUS}]¥ - PaplAIPUN - INOA - SUTJOASp - ITY - ps - pue - - - p1osai - ‘asoduod - no - Jay - 0} - pausisap - st - 1s0uenbesuur’] - oy) - - - Aum - Aposiooid - $,Jeu], - ‘SS9d0Id - SATTBS1D - OY} - YIM - SOIOJIOIUT - - - yey) - xo]dwWI0d - Os - dq - JOA9U - P[NoUsS - osn - NOA - AZopOuYdE} - oy - -

-
-
-

- - ISTUMOIAUIO?) - NOAA - UOHISOdWIO) - -

-
-
-

- - "NOSpr] - B - Oy - ‘AONUTJUT - yada - 0} - seq - Maz - Se] - BY] - Jas - UdAd - - - uvd - NOA - ‘palisap - JJ - ‘souanbes - Mou - ¥B - OVUT - sjied - ou] - [Te - Adoo - - - ATesrewO - Ne - WI) - [IM - ONOS - ALVAAO - JeyIe80} - wey} - - - ,deyd,, - 0} - UOTOUNJ - ONOS - ALVA - ou] - asn - usy] - ‘saouanbes - - - JENPIAIpUt - UI - (“949 - ‘snJOYD - ‘aS1OA) - UOTIDIS - JIseq - Yes - - - Pl0da1 - OF - ST - ABM - JOuIOUY - “(812g - 666 - 01 - dn) - ysnory) - ABM +

+

+ + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is

-

- - dU} - [fe - YORI] - YORs - p10991 - 0} - ST - SUOS - B - 9789I9 - 0} - ABM - SUG, - -

-
-
-

- - SUOS - & - SUTVAID - -

-
-
-

- - *suoT}oes - poJUBMUN +

+ + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:

-

- - SAOUIOI - 0} - ABM - SWS - dU} - SoyeIodo - SUV - ALATAaG +

+ + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST + + + FORWARD, + REWIND, + and + LOCATE + controls. + +

+
+
+

+ + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may + + + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic + +

+
+
+

+ + synthesizers! + +

+
+
+

+ + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes + +

+
+
+

+ + per + disk! + +

+
+
+

+ + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. + + + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. + + + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected + +

+
+
+

+ + rhythmic + value. + +

+
+
+

+ + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes. + +

+
+
+

+ + ¢ + Optional + SMPTE + time + code + synchronization. + +

+
+
+

+ + © + Optional + remote + control. + +

+
+
+

+ + Recording + a + Sequence

-

- - “OBPLIq - dy} - PUB - SNIOY - PUOdAS - dT]] - Ud9MIAQ - SIDA - ISI +

+ + To + record + a + sequence, + simply + press + RECORD + and + PLAY, + + + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s + + + click + track. + When + the + sequence + loops + back + around + to + bar + 1, + + + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be + +

+
+
+

+ + corrected! + (Timing + correction + may + be + adjusted + or + defeated). + +

+
+
+

+ + Any + additional + notes + played + will + be + added + into + the + track + + + — + existing + notes + are + not + erased + while + recording!

-

- - ay) - Jo - Adoo - B - JJasuT - WYSE - NOAA - ‘afdwexs - 10.f - ‘UO - JUSIN]JIP +

+ + FAST + FORWARD, + REWIND, + and + LOCATE + controls + + + may + be + used + at + any + time + to + quickly + access + any + location + in + + + your + sequence + for + spot-recording. + To + overdub + a + new + part, + + + select + a + different + track + and + start + recording—while + you + + + record, + the + first + track + will + play + in + perfect + sync + (unless + you + + + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 + + + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded + + + including + pitch + bend, + modulation, + velocity, + aftertouch, + + + sustain + pedal, + and + program + changes! + +

+
+
+

+ + Editing

-

- - B - IO - aouaNbas - sues - OY} - UI—JOY - OUP - 0} - UOTIEIO] - 9UO - WOT] +

+ + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - - $1Bq - JAOUI - OF - NOA - sMOTIe - WOTIOUNS - AdOO/IMASNI - OULL + + the + note + to + be + erased + just + before + it + plays + in + the + sequence— + + + when + played + back, + it + will + be + gone. + Notes + may + also + be + +

+
+
+

+ + added, + erased, + or + changed + using + the + SINGLE + STEP + func- + + + tion. + To + overdub + notes + at + specific + points + within + a + sequence, + +

+
+
+

+ + Additional + Features + +

+
+
+

+ + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to + + + find + the + desired + bar + number, + then + start + recording.

-

- - ‘SUIPIONAI - JIVIS - Udy) - “OQuINU - eq - porisop - ay} - puy +

+ + The + INSERT/COPY + function + allows + you + to + move + bars + + + from + one + location + to + another—in + the + same + sequence + or + a + + + different + one. + For + example, + you + might + insert + a + copy + of + the + + + first + verse + between + the + second + chorus + and + the + bridge. + + + DELETE + BARS + operates + the + same + way + to + remove + + + unwanted + sections, + +

+
+
+

+ + Creating + a + Song

-

- - 0} - CNIMAY - 10 - ‘CYVM - Od - LSWA - “AEVOOT - esn - Apduns +

+ + One + way + to + create + a + song + is + to + record + each + track + all + the + + + way + through + (up + to + 999 + bars). + Another + way + is + to + record + + + each + basic + section + (verse, + chorus, + etc.) + in + individual + + + sequences, + then + use + the + CREATE + SONG + function + to + “chain” + + + them + together. + CREATE + SONG + will + then + automatically + + + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can + + + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.

-
-

- - sainjeay - [PUOHIPPY - -

-
-
-

- - ‘gouanbas - & - UTYIIM - s]UTOd - a1y1dads - 3¥ - $9100 - QnPIOAO - OL - "UOT} - - - -ouns - dALLS - ATONIS - 24) - Suisn - pasueyo - Jo - ‘pasesa - ‘pappe - - - aq - osye - ABUT - S9]ON - ‘U0 - 9q - ]IIM - 1 - “yoeq - podeyd - uayM - - - —aouanbas - oy] - ul - skeyd - 71 - a10J9q - Isnf - posers - oq - 0} - d]0U - ayy - - - ssaid - pue - ASvwug - ploy - Aydunis - ‘jou - Suomm - & - aseso - OL - -

-
-
-

- - sunipa - -

-
-
-

- - jsesdueyo - ureisoid - pue - ‘fepod - ureysns - - - ‘yonoplalje - ‘AWOOTOA - ‘UOTyeTNpow - ‘pusg - youd - Surpnyour - - - pep10del - are - $199JJ2 - TCTIN - [WV - iPeqqnpseao - aq - Aeur - syoen - - - Ze - 07 - dn - ‘Kem - sie - Uy - *(foeI} - JOyOUR - OJOS - 10 - ALLAN - - - NOA - ssofum) - duAS - yOaysod - ul - Avy - [[IM - Yow] - ISI - 93 - “prooar - - - NOA - 3[IYM—SUIPIOIA - LIBIS - PU - YORI) - TUdIOTJIP - B - JOaTas - - - *y1ed - MOU - B - QNPIsA0 - OL, - “SuIps0daJ-jods - 10} - aouanbes - mno0k - - - UI - UOHBIO] - Aue - ssad0e - ATYOIND - 0} - owt} - Aue - ye - pasn - aq - AvUE - - - SJONUOD - FLIVOOT - pur - ‘ANIMA - ‘CYVMaYOd - LSVd - - - {SUIPIOSAI - {IY - posesa - JOU - se - So]OU - SuTsTXO— - - - yous} - 3U} - OUT - poppe - aq - JIM - poteyd - sajou - yeuonippe - Auy - -

-
-
-

- - *(povesjap - 10 - poysn{pe - oq - ABW - UOTIIII0D - BUTUTT]) - j{paqoeLI09 - -

-
-
-

- - 2q - ][IM - S1OLIe - Sur - [fe - ATUO—patey]d - nod - Jey - Jedy - ]],NOA +

+

+ + Composition + Without + Compromise

-

- - ‘] - req - 0] - punose - yoeq - sdoo] - sduanbas - ay] - Udy - AA - “YOu - Yor +

+ + The + technology + you + use + should + never + be + so + complex + that -

- -

- - §,sa0uaNbas - at} - O] - SUIT) - UI - preogday - [IW] - INO - Avy - usy3 + + it + interferes + with + the + creative + process. + That’s + precisely + why - - AV'1d - pue - (YOON - ssoid - Ayduus - ‘aousnbes - & - p1o09es - OF, + + the + LinnSequencer + is + designed + to + let + you + compose, + record + + + and + edit + while + devoting + your + undivided + attention + to + your + + + music. + See + your + Linn + dealer + today + for + a + demonstration!

-
-

- - g0uaNbas - & - SUIP10I0y] +

+

+ + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the

-
-

- - ‘JONWOD - s}JouNaI - TeuONdGO - e +

+

+ + HELP + button + displays + additional + explanations.

-
-

- - "UOTJEZIUOIYUAS - OPOS - UIT} - FLAWS - [euondo - e +

+

+ + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. + + + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including

-
-

- - ‘sou - .sulddoys, - noyyM - sayelodo - pue - yoegdvyd - ZuLINp - S¥IOM - NOLLOANNYOO - ONIWILL - e +

+

+ + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.

-
-

- - ‘onqea - ory - AY +

+

+ + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.

-
-

- - pojoojes-oid - & - ye - sajou - pyoy - Aue - syeadas - ATTeONewWO - Ne - UOTOUNS - [WAdAY - OAISNOX - e - - - ‘LSVJ - SUnIpS - soyeu - UOTOUN - ASV - UA - OUlN-[eal - SAISNIOXY - e - - - ‘Koy - B - JO - YONO} - 941 - 12 - CASOdSNVALL - 0g - ABU - Syde] - [Te - 10 - 9UC - e +

+

+ + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.

-
-

- - i - ASIP - Jed +

+

+ + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. + + + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,

-
-

- - S9}0U - OOO‘OTT - JOA - SpfOy - puv - SpUOdeS - UT - SBUOS - Xa[AUIOD - So10}S - DALIP - YSIP - , - 74 - € - ISCJ-CNIN +

+

+ + (even + drop + frame!)

-
-

- - jSIOZISOUJUAS +

+

+ + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes

-
-

- - stuoydAjod - of - 0} - dn - skeyd - A[snoourynuls - ‘spouueYd - [IW - 9T - JO - duo - 0} - pousisse - oq - - - ABUL - YORI] - YOR - ‘syous) - oruoydAjod - ‘snoouelnurs - 7¢ - SuTeJUOS - ssouUaNbas - QO] - OY} - JO - YORA - e +

+

+ + on + the + TAP + TEMPO + button.

-
-

- - ‘SJONUOS - ATWOOT - pur - ‘GNIMAY - ‘GaVM - OA +

+

+ + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. - - LSVd - ‘GYOOde - AOLS - ‘AV - Td - YIM - Jopsocas - ade} - Yowsj-N[NU - O} - eps - st - UOTLISdO - @ - - - LOPNOUT - SaINjeoy - s[quyIeUlss - AUB - S.JJ - ‘OSN - pue - UIes] - 0} - o[duns - A[suIzeUe - JOA - ‘PnJsomod - APOUIOITXO - - - St - 1] - “UeIOIsNUL - feUOIssajoid - oY} - 10 - JOO} - soUBULIOJIJAd - pue - UOTIsOduIOS - 11e-dY1-JO-9}e)s - B - SI - IONUANbDaguUT] - ay + + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.

-
-

- - JOps1odady - soUINbIS - [GTI - YVAL - ZE +

+

+ + linn - - Jgouanbaguury - oy + + Linn + Electronics, + Inc. + +

+
+
+

+ + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 + + + (818) + 708-8131 + TELEX + #298949 + LINN + UR

diff --git a/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/txt.bin b/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/txt.bin index d80b111f..d3c2e860 100644 --- a/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/txt.bin +++ b/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/txt.bin @@ -1,128 +1,123 @@ -2A NNI‘I 6F6867# XATALL IE18-80L (818) +The LinnSequencer +32 Track MIDI Sequence Recorder -9SEI6 VO “BUBZIRY, “J0aNS PIPUXO OZLEI -“Uy ‘soTUOMOI,q UUrT +The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is -uut] +extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: -“‘SUOS B UIJIM pasueyo oq ABU pue ‘posn oq AWW AYN IVNOIS AWLL AUV -“parlsop Jr SUOTIISUBI} YIOOUIS YIM “BoueNbas eB OJUI pourtueIZOId 9q ABU SFONWHO OdINAL e +¢ Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST +FORWARD, REWIND, and LOCATE controls. -‘uonng OdNAL dV L 9) uO +e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may +be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic -sojou Jayienb Suiddy} Aq 10 ‘syUSTIOIOUI oINUTIAI-J8g-Jesg & JO sys} UL ofquisn(pe ‘ATTeouIAUINU paiajus oq ABU OdINALL e +synthesizers! -(jouer doup u3a9) +¢ Ultra-fast 3%” disk drive stores complex songs in seconds and holds over 110,000 notes -“puooes Jed souely O€ 10 “SZ “pz 18 [LVAG-MAd-SHN VU 10 ALOANIWAAd-SLVAd U! patyoeds aq kewl OAL « -‘uoTe1odo [SVx JO} Aj[eusoyUT JoyndUIOd 11g 9] 98108 ZHI 8g ‘poeds-ysry Bann soz] e +per disk! -"9U0} DUAS 0006 UUL] Jo wNIqUUr] prepue}s 0} OUAS [ITAA © +¢ One or all tracks may be TRANSPOSED at the touch of a key. +e Exclusive real-time ERASE function makes editing FAST. +* Exclusive REPEAT function automatically repeats any held notes at a pre-selected -“ONYBA 9}OU poloapes Aue Je sas—nd jndyno 07 pewureigold 3q ACW SL Ad LNO YADONAL OML +rhythmic value. -"ALVOOT 10 GOLS/AV 1d ‘LWddad “ASV +¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes. -SUIpNpoUr ‘suOTIOUN] posn A[UOUILUOS 94] JO AUBUT [O1]UOD AJ9]OWIAI 0} PousIsse oq ACUI ST AdNI HOLIMSLOO OME « -“SUIPIONAI I[IYM P2sesd JOU Iv $3}OU BUTISIXO—ZUIPIOIA SATON.ASOP-UON +¢ Optional SMPTE time code synchronization. -‘suoneurldxa peuoyippe sdeydsip uowng g1TqH +© Optional remote control. -oy] ‘pepsau JI ‘suoneiodo [ye yYsnosy] NOA sapins ApIespo Avfdsip QO] Joey Z7¢ 9y3—uoeIodo Urea] 0} Ased ‘aus « +Recording a Sequence -jUorel]suowtap & IO} Aepol Jayeap uur’] INOA dag ‘dISHUL -INOA 0} UONUS}]¥ PaplAIPUN INOA SUTJOASp ITY ps pue -p1osai ‘asoduod no Jay 0} pausisap st 1s0uenbesuur’] oy) -Aum Aposiooid $,Jeu], ‘SS9d0Id SATTBS1D OY} YIM SOIOJIOIUT -yey) xo]dwWI0d Os dq JOA9U P[NoUsS osn NOA AZopOuYdE} oy +To record a sequence, simply press RECORD and PLAY, +then play your MIDI keyboard in time to the Sequencer’s +click track. When the sequence loops back around to bar 1, +you’ ll hear what you played—only all timing errors will be -ISTUMOIAUIO?) NOAA UOHISOdWIO) +corrected! (Timing correction may be adjusted or defeated). -"NOSpr] B Oy ‘AONUTJUT yada 0} seq Maz Se] BY] Jas UdAd -uvd NOA ‘palisap JJ ‘souanbes Mou ¥B OVUT sjied ou] [Te Adoo -ATesrewO Ne WI) [IM ONOS ALVAAO JeyIe80} wey} -,deyd,, 0} UOTOUNJ ONOS ALVA ou] asn usy] ‘saouanbes -JENPIAIpUt UI (“949 ‘snJOYD ‘aS1OA) UOTIDIS JIseq Yes -Pl0da1 OF ST ABM JOuIOUY “(812g 666 01 dn) ysnory) ABM +Any additional notes played will be added into the track +— existing notes are not erased while recording! -dU} [fe YORI] YORs p10991 0} ST SUOS B 9789I9 0} ABM SUG, +FAST FORWARD, REWIND, and LOCATE controls +may be used at any time to quickly access any location in +your sequence for spot-recording. To overdub a new part, +select a different track and start recording—while you +record, the first track will play in perfect sync (unless you +MUTE it, or SOLO another track). In this way, up to 32 +tracks may be overdubbed! All MIDI effects are recorded +including pitch bend, modulation, velocity, aftertouch, +sustain pedal, and program changes! -SUOS & SUTVAID +Editing -*suoT}oes poJUBMUN +To erase a wrong note, simply hold ERASE and press +the note to be erased just before it plays in the sequence— +when played back, it will be gone. Notes may also be -SAOUIOI 0} ABM SWS dU} SoyeIodo SUV ALATAaG +added, erased, or changed using the SINGLE STEP func- +tion. To overdub notes at specific points within a sequence, -“OBPLIq dy} PUB SNIOY PUOdAS dT]] Ud9MIAQ SIDA ISI +Additional Features -ay) Jo Adoo B JJasuT WYSE NOAA ‘afdwexs 10.f ‘UO JUSIN]JIP +simply use LOCATE, FAST FORWARD, or REWIND to +find the desired bar number, then start recording. -B IO aouaNbas sues OY} UI—JOY OUP 0} UOTIEIO] 9UO WOT] -$1Bq JAOUI OF NOA sMOTIe WOTIOUNS AdOO/IMASNI OULL +The INSERT/COPY function allows you to move bars +from one location to another—in the same sequence or a +different one. For example, you might insert a copy of the +first verse between the second chorus and the bridge. +DELETE BARS operates the same way to remove +unwanted sections, -‘SUIPIONAI JIVIS Udy) “OQuINU eq porisop ay} puy +Creating a Song -0} CNIMAY 10 ‘CYVM Od LSWA “AEVOOT esn Apduns +One way to create a song is to record each track all the +way through (up to 999 bars). Another way is to record +each basic section (verse, chorus, etc.) in individual +sequences, then use the CREATE SONG function to “chain” +them together. CREATE SONG will then automatically +copy all the parts into a new sequence. If desired, you can +even set the last few bars to repeat infinitely, for a fadeout. -sainjeay [PUOHIPPY +Composition Without Compromise -‘gouanbas & UTYIIM s]UTOd a1y1dads 3¥ $9100 QnPIOAO OL "UOT} --ouns dALLS ATONIS 24) Suisn pasueyo Jo ‘pasesa ‘pappe -aq osye ABUT S9]ON ‘U0 9q ]IIM 1 “yoeq podeyd uayM -—aouanbas oy] ul skeyd 71 a10J9q Isnf posers oq 0} d]0U ayy -ssaid pue ASvwug ploy Aydunis ‘jou Suomm & aseso OL +The technology you use should never be so complex that +it interferes with the creative process. That’s precisely why +the LinnSequencer is designed to let you compose, record +and edit while devoting your undivided attention to your +music. See your Linn dealer today for a demonstration! -sunipa +* Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the -jsesdueyo ureisoid pue ‘fepod ureysns -‘yonoplalje ‘AWOOTOA ‘UOTyeTNpow ‘pusg youd Surpnyour -pep10del are $199JJ2 TCTIN [WV iPeqqnpseao aq Aeur syoen -Ze 07 dn ‘Kem sie Uy *(foeI} JOyOUR OJOS 10 ALLAN -NOA ssofum) duAS yOaysod ul Avy [[IM Yow] ISI 93 “prooar -NOA 3[IYM—SUIPIOIA LIBIS PU YORI) TUdIOTJIP B JOaTas -*y1ed MOU B QNPIsA0 OL, “SuIps0daJ-jods 10} aouanbes mno0k -UI UOHBIO] Aue ssad0e ATYOIND 0} owt} Aue ye pasn aq AvUE -SJONUOD FLIVOOT pur ‘ANIMA ‘CYVMaYOd LSVd -{SUIPIOSAI {IY posesa JOU se So]OU SuTsTXO— -yous} 3U} OUT poppe aq JIM poteyd sajou yeuonippe Auy +HELP button displays additional explanations. -*(povesjap 10 poysn{pe oq ABW UOTIIII0D BUTUTT]) j{paqoeLI09 +* Non-destructive recording—existing notes are not erased while recording. +¢ Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including -2q ][IM S1OLIe Sur [fe ATUO—patey]d nod Jey Jedy ]],NOA +ERASE, REPEAT, PLAY/STOP, or LOCATE. -‘] req 0] punose yoeq sdoo] sduanbas ay] Udy AA “YOu Yor +¢ Iwo TRIGGER OUTPUTS may be programmed to output pulses at any selected note value. -§,sa0uaNbas at} O] SUIT) UI preogday [IW] INO Avy usy3 -AV'1d pue (YOON ssoid Ayduus ‘aousnbes & p1o09es OF, +© Will sync to standard LinnDrum or Linn 9000 sync tone. -g0uaNbas & SUIP10I0y] +© Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. +* TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, -‘JONWOD s}JouNaI TeuONdGO e +(even drop frame!) -"UOTJEZIUOIYUAS OPOS UIT} FLAWS [euondo e +¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes -‘sou .sulddoys, noyyM sayelodo pue yoegdvyd ZuLINp S¥IOM NOLLOANNYOO ONIWILL e +on the TAP TEMPO button. -‘onqea ory AY +¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. +¢ Any TIME SIGNATURE may be used, and may be changed within a song. -pojoojes-oid & ye sajou pyoy Aue syeadas ATTeONewWO Ne UOTOUNS [WAdAY OAISNOX e -‘LSVJ SUnIpS soyeu UOTOUN ASV UA OUlN-[eal SAISNIOXY e -‘Koy B JO YONO} 941 12 CASOdSNVALL 0g ABU Syde] [Te 10 9UC e +linn +Linn Electronics, Inc. -i ASIP Jed - -S9}0U OOO‘OTT JOA SpfOy puv SpUOdeS UT SBUOS Xa[AUIOD So10}S DALIP YSIP , 74 € ISCJ-CNIN - -jSIOZISOUJUAS - -stuoydAjod of 0} dn skeyd A[snoourynuls ‘spouueYd [IW 9T JO duo 0} pousisse oq -ABUL YORI] YOR ‘syous) oruoydAjod ‘snoouelnurs 7¢ SuTeJUOS ssouUaNbas QO] OY} JO YORA e - -‘SJONUOS ATWOOT pur ‘GNIMAY ‘GaVM OA -LSVd ‘GYOOde AOLS ‘AV Td YIM Jopsocas ade} Yowsj-N[NU O} eps st UOTLISdO @ -LOPNOUT SaINjeoy s[quyIeUlss AUB S.JJ ‘OSN pue UIes] 0} o[duns A[suIzeUe JOA ‘PnJsomod APOUIOITXO -St 1] “UeIOIsNUL feUOIssajoid oY} 10 JOO} soUBULIOJIJAd pue UOTIsOduIOS 11e-dY1-JO-9}e)s B SI IONUANbDaguUT] ay - -JOps1odady soUINbIS [GTI YVAL ZE -Jgouanbaguury oy +18720 Oxnard Street, Tarzana, CA 91356 +(818) 708-8131 TELEX #298949 LINN UR \ No newline at end of file diff --git a/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin b/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin index 9e008318..a9c86e15 100644 Binary files a/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/cardinal/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin index 2567ab7e..518ac636 100644 --- a/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin @@ -9,1070 +9,1054 @@ -
-
-

- - 2A - NNI‘I - 6F6867# - XATALL - IE18-80L - (818) +

+
+

+ + The + LinnSequencer + + + 32 + Track + MIDI + Sequence + Recorder

-
-

- - 9SEI6 - VO - “BUBZIRY, - “J0aNS - PIPUXO - OZLEI - - - “Uy - ‘soTUOMOI,q - UUrT - -

-
-
-

- - uu - -

-
-
-

- - “‘SUOS - B - UIJIM - pasueyo - oq - ABU - pue - ‘posn - oq - AWW - AYN - IVNOIS - AWLL - AUV - - - “parlsop - Jr - SUOTIISUBI} - YIOOUIS - YIM - “BoueNbas - eB - OJUI - pourtueIZOId - 9q - ABU - SFONWHO - OdINAL - e - -

-
-
-

- - ‘uonng - OdNAL - dV - L - 9) - uO - -

-
-
-

- - sojou - Jayienb - Suiddy} - Aq - 10 - ‘syUSTIOIOUI - oINUTIAI-J8g-Jesg - & - JO - sys} - UL - ofquisn(pe - ‘ATTeouIAUINU - paiajus - oq - ABU - OdINALL - e - -

-
-
-

- - (jouer - doup - u3a9) - -

-
-
-

- - “puooes - Jed - souely - O€ - 10 - “SZ - “pz - 18 - [LVAG-MAd-SHN - VU - 10 - ALOANIWAAd-SLVAd - U! - patyoeds - aq - kewl - OAL - « - - - ‘uoTe1odo - [SVx - JO} - Aj[eusoyUT - JoyndUIOd - 11g - 9] - 98108 - ZHI - 8g - ‘poeds-ysry - Bann - soz] - e - -

-
-
-

- - "9U0} - DUAS - 0006 - UUL] - Jo - wNIqUUr] - prepue}s - 0} - OUAS - [ITAA - © - -

-
-
-

- - “ONYBA - 9}OU - poloapes - Aue - Je - sas—nd - jndyno - 07 - pewureigold - 3q - ACW - SL - Ad - LNO - YADONAL - OML - -

-
-
-

- - "ALVOOT - 10 - GOLS/AV - 1d - ‘LWddad - “ASV - -

-
-
-

- - SUIpNpoUr - ‘suOTIOUN] - posn - A[UOUILUOS - 94] - JO - AUBUT - [O1]UOD - AJ9]OWIAI - 0} - PousIsse - oq - ACUI - ST - AdNI - HOLIMSLOO - OME - « - - - “SUIPIONAI - I[IYM - P2sesd - JOU - Iv - $3}OU - BUTISIXO—ZUIPIOIA - SATON.ASOP-UON - -

-
-
-

- - ‘suoneurldxa - peuoyippe - sdeydsip - uowng - g1TqH - -

-
-
-

- - oy] - ‘pepsau - JI - ‘suoneiodo - [ye - yYsnosy] - NOA - sapins - ApIespo - Avfdsip - QO] - Joey - Z7¢ - 9y3—uoeIodo - Urea] - 0} - Ased - ‘aus - « - -

-
-
-

- - jUorel]suowtap - & - IO} - Aepol - Jayeap - uur’] - INOA - dag - ‘dISHUL - - - INOA - 0} - UONUS}]¥ - PaplAIPUN - INOA - SUTJOASp - ITY - ps - pue - - - p1osai - ‘asoduod - no - Jay - 0} - pausisap - st - 1s0uenbesuur’] - oy) - - - Aum - Aposiooid - $,Jeu], - ‘SS9d0Id - SATTBS1D - OY} - YIM - SOIOJIOIUT - - - yey) - xo]dwWI0d - Os - dq - JOA9U - P[NoUsS - osn - NOA - AZopOuYdE} - oy - -

-
-
-

- - ISTUMOIAUIO?) - NOAA - UOHISOdWIO) - -

-
-
-

- - "NOSpr] - B - Oy - ‘AONUTJUT - yada - 0} - seq - Maz - Se] - BY] - Jas - UdAd - - - uvd - NOA - ‘palisap - JJ - ‘souanbes - Mou - ¥B - OVUT - sjied - ou] - [Te - Adoo - - - ATesrewO - Ne - WI) - [IM - ONOS - ALVAAO - JeyIe80} - wey} - - - ,deyd,, - 0} - UOTOUNJ - ONOS - ALVA - ou] - asn - usy] - ‘saouanbes - - - JENPIAIpUt - UI - (“949 - ‘snJOYD - ‘aS1OA) - UOTIDIS - JIseq - Yes - - - Pl0da1 - OF - ST - ABM - JOuIOUY - “(812g - 666 - 01 - dn) - ysnory) - ABM +

+

+ + The + LinnSequencer + is + a + state-of-the-art + composition + and + performance + tool + for + the + professional + musician. + It + is

-

- - dU} - [fe - YORI] - YORs - p10991 - 0} - ST - SUOS - B - 9789I9 - 0} - ABM - SUG, - -

-
-
-

- - SUOS - & - SUTVAID - -

-
-
-

- - *suoT}oes - poJUBMUN +

+ + extremely + powerful, + yet + amazingly + simple + to + learn + and + use. + It’s + many + remarkable + features + include:

-

- - SAOUIOI - 0} - ABM - SWS - dU} - SoyeIodo - SUV - ALATAaG +

+ + ¢ + Operation + is + similar + to + multi-track + tape + recorder + with + PLAY, + STOP, + RECORD, + FAST + + + FORWARD, + REWIND, + and + LOCATE + controls. + +

+
+
+

+ + e + Each + of + the + 100 + sequences + contains + 32 + simultaneous, + polyphonic + tracks. + Each + track + may + + + be + assigned + to + one + of + 16 + MIDI + channels. + Simultaneously + plays + up + to + 16 + polyphonic + +

+
+
+

+ + synthesizers! + +

+
+
+

+ + ¢ + Ultra-fast + 3%” + disk + drive + stores + complex + songs + in + seconds + and + holds + over + 110,000 + notes + +

+
+
+

+ + per + disk! + +

+
+
+

+ + ¢ + One + or + all + tracks + may + be + TRANSPOSED + at + the + touch + of + a + key. + + + e + Exclusive + real-time + ERASE + function + makes + editing + FAST. + + + * + Exclusive + REPEAT + function + automatically + repeats + any + held + notes + at + a + pre-selected + +

+
+
+

+ + rhythmic + value. + +

+
+
+

+ + ¢ + TIMING + CORRECTION + works + during + playback + and + operates + without + ‘chopping’ + notes. + +

+
+
+

+ + ¢ + Optional + SMPTE + time + code + synchronization. + +

+
+
+

+ + © + Optional + remote + control. + +

+
+
+

+ + Recording + a + Sequence

-

- - “OBPLIq - dy} - PUB - SNIOY - PUOdAS - dT]] - Ud9MIAQ - SIDA - ISI +

+ + To + record + a + sequence, + simply + press + RECORD + and + PLAY, + + + then + play + your + MIDI + keyboard + in + time + to + the + Sequencer’s + + + click + track. + When + the + sequence + loops + back + around + to + bar + 1, + + + you’ + ll + hear + what + you + played—only + all + timing + errors + will + be + +

+
+
+

+ + corrected! + (Timing + correction + may + be + adjusted + or + defeated). + +

+
+
+

+ + Any + additional + notes + played + will + be + added + into + the + track + + + — + existing + notes + are + not + erased + while + recording!

-

- - ay) - Jo - Adoo - B - JJasuT - WYSE - NOAA - ‘afdwexs - 10.f - ‘UO - JUSIN]JIP +

+ + FAST + FORWARD, + REWIND, + and + LOCATE + controls + + + may + be + used + at + any + time + to + quickly + access + any + location + in + + + your + sequence + for + spot-recording. + To + overdub + a + new + part, + + + select + a + different + track + and + start + recording—while + you + + + record, + the + first + track + will + play + in + perfect + sync + (unless + you + + + MUTE + it, + or + SOLO + another + track). + In + this + way, + up + to + 32 + + + tracks + may + be + overdubbed! + All + MIDI + effects + are + recorded + + + including + pitch + bend, + modulation, + velocity, + aftertouch, + + + sustain + pedal, + and + program + changes! + +

+
+
+

+ + Editing

-

- - B - IO - aouaNbas - sues - OY} - UI—JOY - OUP - 0} - UOTIEIO] - 9UO - WOT] +

+ + To + erase + a + wrong + note, + simply + hold + ERASE + and + press - - $1Bq - JAOUI - OF - NOA - sMOTIe - WOTIOUNS - AdOO/IMASNI - OULL + + the + note + to + be + erased + just + before + it + plays + in + the + sequence— + + + when + played + back, + it + will + be + gone. + Notes + may + also + be + +

+
+
+

+ + added, + erased, + or + changed + using + the + SINGLE + STEP + func- + + + tion. + To + overdub + notes + at + specific + points + within + a + sequence, + +

+
+
+

+ + Additional + Features + +

+
+
+

+ + simply + use + LOCATE, + FAST + FORWARD, + or + REWIND + to + + + find + the + desired + bar + number, + then + start + recording.

-

- - ‘SUIPIONAI - JIVIS - Udy) - “OQuINU - eq - porisop - ay} - puy +

+ + The + INSERT/COPY + function + allows + you + to + move + bars + + + from + one + location + to + another—in + the + same + sequence + or + a + + + different + one. + For + example, + you + might + insert + a + copy + of + the + + + first + verse + between + the + second + chorus + and + the + bridge. + + + DELETE + BARS + operates + the + same + way + to + remove + + + unwanted + sections, + +

+
+
+

+ + Creating + a + Song

-

- - 0} - CNIMAY - 10 - ‘CYVM - Od - LSWA - “AEVOOT - esn - Apduns +

+ + One + way + to + create + a + song + is + to + record + each + track + all + the + + + way + through + (up + to + 999 + bars). + Another + way + is + to + record + + + each + basic + section + (verse, + chorus, + etc.) + in + individual + + + sequences, + then + use + the + CREATE + SONG + function + to + “chain” + + + them + together. + CREATE + SONG + will + then + automatically + + + copy + all + the + parts + into + a + new + sequence. + If + desired, + you + can + + + even + set + the + last + few + bars + to + repeat + infinitely, + for + a + fadeout.

-
-

- - sainjeay - [PUOHIPPY +

+

+ + Composition + Without + Compromise + +

+ +

+ + The + technology + you + use + should + never + be + so + complex + that + + + it + interferes + with + the + creative + process. + That’s + precisely + why + + + the + LinnSequencer + is + designed + to + let + you + compose, + record + + + and + edit + while + devoting + your + undivided + attention + to + your + + + music. + See + your + Linn + dealer + today + for + a + demonstration!

-
-

- - ‘gouanbas - & - UTYIIM - s]UTOd - a1y1dads - 3¥ - $9100 - QnPIOAO - OL - "UOT} - - - -ouns - dALLS - ATONIS - 24) - Suisn - pasueyo - Jo - ‘pasesa - ‘pappe - - - aq - osye - ABUT - S9]ON - ‘U0 - 9q - ]IIM - 1 - “yoeq - podeyd - uayM - - - —aouanbas - oy] - ul - skeyd - 71 - a10J9q - Isnf - posers - oq - 0} - d]0U - ayy - - - ssaid - pue - ASvwug - ploy - Aydunis - ‘jou - Suomm - & - aseso - OL +

+

+ + * + Simple, + easy + to + learn + operation—the + 32 + character + LCD + display + clearly + guides + you + through + all + operations. + If + needed, + the

-
-

- - sunipa +

+

+ + HELP + button + displays + additional + explanations.

-
-

- - jsesdueyo - ureisoid - pue - ‘fepod - ureysns +

+

+ + * + Non-destructive + recording—existing + notes + are + not + erased + while + recording. - - ‘yonoplalje - ‘AWOOTOA - ‘UOTyeTNpow - ‘pusg - youd - Surpnyour - - - pep10del - are - $199JJ2 - TCTIN - [WV - iPeqqnpseao - aq - Aeur - syoen - - - Ze - 07 - dn - ‘Kem - sie - Uy - *(foeI} - JOyOUR - OJOS - 10 - ALLAN - - - NOA - ssofum) - duAS - yOaysod - ul - Avy - [[IM - Yow] - ISI - 93 - “prooar - - - NOA - 3[IYM—SUIPIOIA - LIBIS - PU - YORI) - TUdIOTJIP - B - JOaTas - - - *y1ed - MOU - B - QNPIsA0 - OL, - “SuIps0daJ-jods - 10} - aouanbes - mno0k - - - UI - UOHBIO] - Aue - ssad0e - ATYOIND - 0} - owt} - Aue - ye - pasn - aq - AvUE - - - SJONUOD - FLIVOOT - pur - ‘ANIMA - ‘CYVMaYOd - LSVd - - - {SUIPIOSAI - {IY - posesa - JOU - se - So]OU - SuTsTXO— - - - yous} - 3U} - OUT - poppe - aq - JIM - poteyd - sajou - yeuonippe - Auy - - - *(povesjap - 10 - poysn{pe - oq - ABW - UOTIIII0D - BUTUTT]) - j{paqoeLI09 - - - 2q - ][IM - S1OLIe - Sur - [fe - ATUO—patey]d - nod - Jey - Jedy - ]],NOA - - - ‘] - req - 0] - punose - yoeq - sdoo] - sduanbas - ay] - Udy - AA - “YOu - Yor - - - §,sa0uaNbas - at} - O] - SUIT) - UI - preogday - [IW] - INO - Avy - usy3 - - - AV'1d - pue - (YOON - ssoid - Ayduus - ‘aousnbes - & - p1o09es - OF, + + ¢ + Two + FOOTSWITCH + INPUTS + may + be + assigned + to + remotely + control + many + of + the + commonly + used + functions, + including

-
-

- - g0uaNbas - & - SUIP10I0y] +

+

+ + ERASE, + REPEAT, + PLAY/STOP, + or + LOCATE.

-
-

- - ‘JONWOD - s}JouNaI - TeuONdGO - e +

+

+ + ¢ + Iwo + TRIGGER + OUTPUTS + may + be + programmed + to + output + pulses + at + any + selected + note + value.

-
-

- - "UOTJEZIUOIYUAS - OPOS - UIT} - FLAWS - [euondo - e +

+

+ + © + Will + sync + to + standard + LinnDrum + or + Linn + 9000 + sync + tone.

-
-

- - ‘sou - .sulddoys, - noyyM - sayelodo - pue - yoegdvyd - ZuLINp - S¥IOM - NOLLOANNYOO - ONIWILL - e +

+

+ + © + Utilizes + ultra + high-speed, + 8 + MHz + 80186 + 16 + bit + computer + internally + for + FAST + operation. + + + * + TEMPO + may + be + specified + in + BEATS-PER-MINUTE + or + FRAMES-PER-BEAT + at + 24, + 25, + or + 30 + frames + per + second,

-
-

- - ‘onqea - ory - AY +

+

+ + (even + drop + frame!)

-
-

- - pojoojes-oid - & - ye - sajou - pyoy - Aue - syeadas - ATTeONewWO - Ne - UOTOUNS - [WAdAY - OAISNOX - e - - - ‘LSVJ - SUnIpS - soyeu - UOTOUN - ASV - UA - OUlN-[eal - SAISNIOXY - e - - - ‘Koy - B - JO - YONO} - 941 - 12 - CASOdSNVALL - 0g - ABU - Syde] - [Te - 10 - 9UC - e +

+

+ + ¢ + TEMPO + may + be + entered + numerically, + adjustable + in + tenths + of + a + Beat-Per-Minute + increments, + or + by + tapping + quarter + notes

-
-

- - i - ASIP - Jed +

+

+ + on + the + TAP + TEMPO + button.

-
-

- - S9}0U - OOO‘OTT - JOA - SpfOy - puv - SpUOdeS - UT - SBUOS - Xa[AUIOD - So10}S - DALIP - YSIP - , - 74 - € - ISCJ-CNIN +

+

+ + ¢ + TEMPO + CHANGES + may + be + programmed + into + a + sequence, + with + smooth + transitions + if + desired. + + + ¢ + Any + TIME + SIGNATURE + may + be + used, + and + may + be + changed + within + a + song.

-
-

- - jSIOZISOUJUAS +

+

+ + linn + + + Linn + Electronics, + Inc.

-
-

- - stuoydAjod - of - 0} - dn - skeyd - A[snoourynuls - ‘spouueYd - [IW - 9T - JO - duo - 0} - pousisse - oq +

+

+ + 18720 + Oxnard + Street, + Tarzana, + CA + 91356 - - ABUL - YORI] - YOR - ‘syous) - oruoydAjod - ‘snoouelnurs - 7¢ - SuTeJUOS - ssouUaNbas - QO] - OY} - JO - YORA - e - -

-
-
-

- - ‘SJONUOS - ATWOOT - pur - ‘GNIMAY - ‘GaVM - OA - - - LSVd - ‘GYOOde - AOLS - ‘AV - Td - YIM - Jopsocas - ade} - Yowsj-N[NU - O} - eps - st - UOTLISdO - @ - - - LOPNOUT - SaINjeoy - s[quyIeUlss - AUB - S.JJ - ‘OSN - pue - UIes] - 0} - o[duns - A[suIzeUe - JOA - ‘PnJsomod - APOUIOITXO - - - St - 1] - “UeIOIsNUL - feUOIssajoid - oY} - 10 - JOO} - soUBULIOJIJAd - pue - UOTIsOduIOS - 11e-dY1-JO-9}e)s - B - SI - IONUANbDaguUT] - ay - -

-
-
-

- - JOps1odady - soUINbIS - [GTI - YVAL - ZE - - - Jgouanbaguury - oy + + (818) + 708-8131 + TELEX + #298949 + LINN + UR

diff --git a/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/txt.bin b/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/txt.bin index 137fef56..d3c2e860 100644 --- a/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/txt.bin +++ b/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/txt.bin @@ -1,124 +1,123 @@ -2A NNI‘I 6F6867# XATALL IE18-80L (818) +The LinnSequencer +32 Track MIDI Sequence Recorder -9SEI6 VO “BUBZIRY, “J0aNS PIPUXO OZLEI -“Uy ‘soTUOMOI,q UUrT +The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is -uu +extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: -“‘SUOS B UIJIM pasueyo oq ABU pue ‘posn oq AWW AYN IVNOIS AWLL AUV -“parlsop Jr SUOTIISUBI} YIOOUIS YIM “BoueNbas eB OJUI pourtueIZOId 9q ABU SFONWHO OdINAL e +¢ Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST +FORWARD, REWIND, and LOCATE controls. -‘uonng OdNAL dV L 9) uO +e Each of the 100 sequences contains 32 simultaneous, polyphonic tracks. Each track may +be assigned to one of 16 MIDI channels. Simultaneously plays up to 16 polyphonic -sojou Jayienb Suiddy} Aq 10 ‘syUSTIOIOUI oINUTIAI-J8g-Jesg & JO sys} UL ofquisn(pe ‘ATTeouIAUINU paiajus oq ABU OdINALL e +synthesizers! -(jouer doup u3a9) +¢ Ultra-fast 3%” disk drive stores complex songs in seconds and holds over 110,000 notes -“puooes Jed souely O€ 10 “SZ “pz 18 [LVAG-MAd-SHN VU 10 ALOANIWAAd-SLVAd U! patyoeds aq kewl OAL « -‘uoTe1odo [SVx JO} Aj[eusoyUT JoyndUIOd 11g 9] 98108 ZHI 8g ‘poeds-ysry Bann soz] e +per disk! -"9U0} DUAS 0006 UUL] Jo wNIqUUr] prepue}s 0} OUAS [ITAA © +¢ One or all tracks may be TRANSPOSED at the touch of a key. +e Exclusive real-time ERASE function makes editing FAST. +* Exclusive REPEAT function automatically repeats any held notes at a pre-selected -“ONYBA 9}OU poloapes Aue Je sas—nd jndyno 07 pewureigold 3q ACW SL Ad LNO YADONAL OML +rhythmic value. -"ALVOOT 10 GOLS/AV 1d ‘LWddad “ASV +¢ TIMING CORRECTION works during playback and operates without ‘chopping’ notes. -SUIpNpoUr ‘suOTIOUN] posn A[UOUILUOS 94] JO AUBUT [O1]UOD AJ9]OWIAI 0} PousIsse oq ACUI ST AdNI HOLIMSLOO OME « -“SUIPIONAI I[IYM P2sesd JOU Iv $3}OU BUTISIXO—ZUIPIOIA SATON.ASOP-UON +¢ Optional SMPTE time code synchronization. -‘suoneurldxa peuoyippe sdeydsip uowng g1TqH +© Optional remote control. -oy] ‘pepsau JI ‘suoneiodo [ye yYsnosy] NOA sapins ApIespo Avfdsip QO] Joey Z7¢ 9y3—uoeIodo Urea] 0} Ased ‘aus « +Recording a Sequence -jUorel]suowtap & IO} Aepol Jayeap uur’] INOA dag ‘dISHUL -INOA 0} UONUS}]¥ PaplAIPUN INOA SUTJOASp ITY ps pue -p1osai ‘asoduod no Jay 0} pausisap st 1s0uenbesuur’] oy) -Aum Aposiooid $,Jeu], ‘SS9d0Id SATTBS1D OY} YIM SOIOJIOIUT -yey) xo]dwWI0d Os dq JOA9U P[NoUsS osn NOA AZopOuYdE} oy +To record a sequence, simply press RECORD and PLAY, +then play your MIDI keyboard in time to the Sequencer’s +click track. When the sequence loops back around to bar 1, +you’ ll hear what you played—only all timing errors will be -ISTUMOIAUIO?) NOAA UOHISOdWIO) +corrected! (Timing correction may be adjusted or defeated). -"NOSpr] B Oy ‘AONUTJUT yada 0} seq Maz Se] BY] Jas UdAd -uvd NOA ‘palisap JJ ‘souanbes Mou ¥B OVUT sjied ou] [Te Adoo -ATesrewO Ne WI) [IM ONOS ALVAAO JeyIe80} wey} -,deyd,, 0} UOTOUNJ ONOS ALVA ou] asn usy] ‘saouanbes -JENPIAIpUt UI (“949 ‘snJOYD ‘aS1OA) UOTIDIS JIseq Yes -Pl0da1 OF ST ABM JOuIOUY “(812g 666 01 dn) ysnory) ABM +Any additional notes played will be added into the track +— existing notes are not erased while recording! -dU} [fe YORI] YORs p10991 0} ST SUOS B 9789I9 0} ABM SUG, +FAST FORWARD, REWIND, and LOCATE controls +may be used at any time to quickly access any location in +your sequence for spot-recording. To overdub a new part, +select a different track and start recording—while you +record, the first track will play in perfect sync (unless you +MUTE it, or SOLO another track). In this way, up to 32 +tracks may be overdubbed! All MIDI effects are recorded +including pitch bend, modulation, velocity, aftertouch, +sustain pedal, and program changes! -SUOS & SUTVAID +Editing -*suoT}oes poJUBMUN +To erase a wrong note, simply hold ERASE and press +the note to be erased just before it plays in the sequence— +when played back, it will be gone. Notes may also be -SAOUIOI 0} ABM SWS dU} SoyeIodo SUV ALATAaG +added, erased, or changed using the SINGLE STEP func- +tion. To overdub notes at specific points within a sequence, -“OBPLIq dy} PUB SNIOY PUOdAS dT]] Ud9MIAQ SIDA ISI +Additional Features -ay) Jo Adoo B JJasuT WYSE NOAA ‘afdwexs 10.f ‘UO JUSIN]JIP +simply use LOCATE, FAST FORWARD, or REWIND to +find the desired bar number, then start recording. -B IO aouaNbas sues OY} UI—JOY OUP 0} UOTIEIO] 9UO WOT] -$1Bq JAOUI OF NOA sMOTIe WOTIOUNS AdOO/IMASNI OULL +The INSERT/COPY function allows you to move bars +from one location to another—in the same sequence or a +different one. For example, you might insert a copy of the +first verse between the second chorus and the bridge. +DELETE BARS operates the same way to remove +unwanted sections, -‘SUIPIONAI JIVIS Udy) “OQuINU eq porisop ay} puy +Creating a Song -0} CNIMAY 10 ‘CYVM Od LSWA “AEVOOT esn Apduns +One way to create a song is to record each track all the +way through (up to 999 bars). Another way is to record +each basic section (verse, chorus, etc.) in individual +sequences, then use the CREATE SONG function to “chain” +them together. CREATE SONG will then automatically +copy all the parts into a new sequence. If desired, you can +even set the last few bars to repeat infinitely, for a fadeout. -sainjeay [PUOHIPPY +Composition Without Compromise -‘gouanbas & UTYIIM s]UTOd a1y1dads 3¥ $9100 QnPIOAO OL "UOT} --ouns dALLS ATONIS 24) Suisn pasueyo Jo ‘pasesa ‘pappe -aq osye ABUT S9]ON ‘U0 9q ]IIM 1 “yoeq podeyd uayM -—aouanbas oy] ul skeyd 71 a10J9q Isnf posers oq 0} d]0U ayy -ssaid pue ASvwug ploy Aydunis ‘jou Suomm & aseso OL +The technology you use should never be so complex that +it interferes with the creative process. That’s precisely why +the LinnSequencer is designed to let you compose, record +and edit while devoting your undivided attention to your +music. See your Linn dealer today for a demonstration! -sunipa +* Simple, easy to learn operation—the 32 character LCD display clearly guides you through all operations. If needed, the -jsesdueyo ureisoid pue ‘fepod ureysns -‘yonoplalje ‘AWOOTOA ‘UOTyeTNpow ‘pusg youd Surpnyour -pep10del are $199JJ2 TCTIN [WV iPeqqnpseao aq Aeur syoen -Ze 07 dn ‘Kem sie Uy *(foeI} JOyOUR OJOS 10 ALLAN -NOA ssofum) duAS yOaysod ul Avy [[IM Yow] ISI 93 “prooar -NOA 3[IYM—SUIPIOIA LIBIS PU YORI) TUdIOTJIP B JOaTas -*y1ed MOU B QNPIsA0 OL, “SuIps0daJ-jods 10} aouanbes mno0k -UI UOHBIO] Aue ssad0e ATYOIND 0} owt} Aue ye pasn aq AvUE -SJONUOD FLIVOOT pur ‘ANIMA ‘CYVMaYOd LSVd -{SUIPIOSAI {IY posesa JOU se So]OU SuTsTXO— -yous} 3U} OUT poppe aq JIM poteyd sajou yeuonippe Auy -*(povesjap 10 poysn{pe oq ABW UOTIIII0D BUTUTT]) j{paqoeLI09 -2q ][IM S1OLIe Sur [fe ATUO—patey]d nod Jey Jedy ]],NOA -‘] req 0] punose yoeq sdoo] sduanbas ay] Udy AA “YOu Yor -§,sa0uaNbas at} O] SUIT) UI preogday [IW] INO Avy usy3 -AV'1d pue (YOON ssoid Ayduus ‘aousnbes & p1o09es OF, +HELP button displays additional explanations. -g0uaNbas & SUIP10I0y] +* Non-destructive recording—existing notes are not erased while recording. +¢ Two FOOTSWITCH INPUTS may be assigned to remotely control many of the commonly used functions, including -‘JONWOD s}JouNaI TeuONdGO e +ERASE, REPEAT, PLAY/STOP, or LOCATE. -"UOTJEZIUOIYUAS OPOS UIT} FLAWS [euondo e +¢ Iwo TRIGGER OUTPUTS may be programmed to output pulses at any selected note value. -‘sou .sulddoys, noyyM sayelodo pue yoegdvyd ZuLINp S¥IOM NOLLOANNYOO ONIWILL e +© Will sync to standard LinnDrum or Linn 9000 sync tone. -‘onqea ory AY +© Utilizes ultra high-speed, 8 MHz 80186 16 bit computer internally for FAST operation. +* TEMPO may be specified in BEATS-PER-MINUTE or FRAMES-PER-BEAT at 24, 25, or 30 frames per second, -pojoojes-oid & ye sajou pyoy Aue syeadas ATTeONewWO Ne UOTOUNS [WAdAY OAISNOX e -‘LSVJ SUnIpS soyeu UOTOUN ASV UA OUlN-[eal SAISNIOXY e -‘Koy B JO YONO} 941 12 CASOdSNVALL 0g ABU Syde] [Te 10 9UC e +(even drop frame!) -i ASIP Jed +¢ TEMPO may be entered numerically, adjustable in tenths of a Beat-Per-Minute increments, or by tapping quarter notes -S9}0U OOO‘OTT JOA SpfOy puv SpUOdeS UT SBUOS Xa[AUIOD So10}S DALIP YSIP , 74 € ISCJ-CNIN +on the TAP TEMPO button. -jSIOZISOUJUAS +¢ TEMPO CHANGES may be programmed into a sequence, with smooth transitions if desired. +¢ Any TIME SIGNATURE may be used, and may be changed within a song. -stuoydAjod of 0} dn skeyd A[snoourynuls ‘spouueYd [IW 9T JO duo 0} pousisse oq -ABUL YORI] YOR ‘syous) oruoydAjod ‘snoouelnurs 7¢ SuTeJUOS ssouUaNbas QO] OY} JO YORA e +linn +Linn Electronics, Inc. -‘SJONUOS ATWOOT pur ‘GNIMAY ‘GaVM OA -LSVd ‘GYOOde AOLS ‘AV Td YIM Jopsocas ade} Yowsj-N[NU O} eps st UOTLISdO @ -LOPNOUT SaINjeoy s[quyIeUlss AUB S.JJ ‘OSN pue UIes] 0} o[duns A[suIzeUe JOA ‘PnJsomod APOUIOITXO -St 1] “UeIOIsNUL feUOIssajoid oY} 10 JOO} soUBULIOJIJAd pue UOTIsOduIOS 11e-dY1-JO-9}e)s B SI IONUANbDaguUT] ay - -JOps1odady soUINbIS [GTI YVAL ZE -Jgouanbaguury oy +18720 Oxnard Street, Tarzana, CA 91356 +(818) 708-8131 TELEX #298949 LINN UR \ No newline at end of file diff --git a/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin b/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin index 5c1ac320..aa26441b 100644 Binary files a/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/cardinal/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index 123d2a1e..d06920de 100644 --- a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -
+

@@ -29,7 +29,7 @@

The - LinnSequencer + LinnSequencer is a state-of-the-art @@ -39,7 +39,7 @@ tool for the - professional + professional musician. It is @@ -209,7 +209,7 @@

- rhythmic + rhythmic value.

@@ -246,7 +246,7 @@

- © + © Optional remote control. @@ -300,8 +300,8 @@ 1, - you’ - ll + you’ + ll hear what you @@ -361,7 +361,7 @@ REWIND, and LOCATE - controls + controls may @@ -400,9 +400,9 @@ record, - the - first - track + the + first + track will play in @@ -412,11 +412,11 @@ you - MUTE - it, + MUTE + it, or SOLO - another + another track). In this @@ -518,13 +518,13 @@ tion. To - overdub + overdub notes at specific points - within - a + within + a sequence,

@@ -681,7 +681,7 @@ SONG function to - “chain” + “chain” them @@ -874,10 +874,10 @@

- ¢ - Iwo + ¢ + Iwo TRIGGER - OUTPUTS + OUTPUTS may be programmed @@ -887,7 +887,7 @@ at any selected - note + note value.

@@ -911,15 +911,15 @@

- - © - Utilizes - ultra + + © + Utilizes + ultra high-speed, 8 MHz - 80186 - 16 + 80186 + 16 bit computer internally @@ -960,18 +960,18 @@

- ¢ + ¢ TEMPO may - be + be entered numerically, - adjustable - in + adjustable + in tenths of - a - Beat-Per-Minute + a + Beat-Per-Minute increments, or by diff --git a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 13d33a38..88bb9fc9 100644 Binary files a/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/ccitt/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/francais/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/francais/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 462735e4..750ad232 100644 Binary files a/tests/cache/francais/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/francais/__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/graph_ocred/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/graph_ocred/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index ca4e1323..74e98d6d 100644 Binary files a/tests/cache/graph_ocred/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/graph_ocred/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index 2e64e637..946585c5 100644 --- a/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,459 +9,467 @@ -

-
-

- - 41st - CONGRESS; - | - SENATE. +

+
+

+ + 4ist + ConGREss, + } + SENATE. + { + Ex. + Doc, - - 3d - Session. - } + + 3d + Session. + No. + 25.

-
-

- - MESSAGE +

+

+ + MESSAGE

-
-

- - OF - THE +

+

+ + OF + THE

-
-

- - PRESIDENT - OF - THE - UNITED - STATES, +

+

+ + PRESIDENT + OF + THE + UNITED + STATES,

-
-

- - COMMUNICATING +

+

+ + COMMUNICATING

-
-

- - A - copy - of - regulations - for - the - consular - courts - of - the - United - States - in - Japan, +

+

+ + A + copy + of + regulations + for + the + consular + courts + of + the + United + States + in + Japan, - - decreed - and - issued - by - the - minister - of - the - United - States - in - that - country. + + decreed + and + issued + by + the + minister + of + the + United + States + in + that + country.

-
-

- - January - 27, - 1871,—Read, - referred - to - the - Committee - on - Commerce, - and - ordered - to - be +

+

+ + JANUARY + 27, + 1871,—Read, + referred + to + the + Committee + on + Commerce, + and + ordered + to + be - - printed. + + printed.

-
-

- - To - the - Senate - and - House - of - Representatives - : +

+

+ + To + the + Senate + and + House + of + Representatives + :

-

- - I - transmit - herewith, - for - the - consideration - of - Congress, - a - report - from +

+ + I + transmit + herewith, + for + the + consideration + of + Congress, + a + report + from - - the - Secretary - of - State, - and - the - papers - which - accompanied - it, - concern- + + the + Secretary + of + State, + and + the + papers + which + accompanied + it, + concern- - - ing - regulations - for - the - consular - courts - of - the - United - States - in - Japan. + + ing + regulations + for + the + consular + courts + of + the + United + States + in + Japan.

-

- - U. - 8. - GRANT. +

+ + U. + 8. + GRANT.

-

- - ‘WASHINGTON, - January - 27, - 1871. +

+ + ‘WASHINGTON, + January + 27, + 1871.

-
-

- - DEPARTMENT - OF - STATE, +

+

+ + DEPARTMENT + OF + STATE, - - . - Washington, - January - 26, - 1870, + + Washington, + January + 26, + 1870,

-

- - The - Secretary - of - State - has - the - honor - to - submit - herewith, - for - revision +

+ + The + Secretary + of + State + has + the + honor + to + submit + herewith, + for + revision - - by - Congress, - in - conformity - with - the - provisions - of - section - 6 - of - the - act + + by + Congress, + in + conformity + with + the + provisions + of + section + 6 + of + the + act - - approved - 22d - of - June, - 1860, - a - copy - of - “regulations - for - the - consular + + approved + 22d + of + June, + 1860, + a + copy + of + “regulations + for + the + consular - - courts - of - the - United - States - in - Japan,” - decreed - and - issued - by - C. - E. + + courts + of + the + United + States + in + Japan,” + decreed + and + issued + by + C. + BE. - - De - Long, - the - miniater - of - the - United - States - in - that - country, - in - Septem- + + De + Long, + the + minister + of + the + United + States + in + that + country, + in + Septem- - - ber, - 1870; - and - also - the - papers - mentioned - in - the - subjoined - list, - which, + + ber, + 1870; + and + also + the + papers + mentioned + in + the + subjoined + list, + which, - - contain - suggestions - on - the - subject - thereof. + + contain + suggestions + on + the + subject + thereof.

-

- - A - copy - of - Article - XXVI - of - the - consular - regulations - is - also - submitted, +

+ + A + copy + of + Article + XXVI + of + the + consular + regulations + is + also + submitted, - - and - the - Secretary - of - State - respectfully - suggests, - for - the - consideration + + and + the + Secretary + of + State + respectfully + suggests, + for + the + consideration - - of - Congress, - the - propriety - of - limiting - the - power - of - ministers - to - make + + of + Congress, + the + propriety + of + limiting + the + power + of + ministers + to + make - - decrees - and - regulation, - in - the - sense - in - which - it - is - limited - by - paragraph + + decrees + and + regulation, + in + the + sense + in + which + it + is + limited + by + paragraph - - 431 - of - the - article - before - named—that - is, - “to - acts - necessary - to - organize + + 431 + of + the + article + before + named—that + is, + “to + acts + necessary + to + organize - - and - give - efficiency - to - the - courts - created - by - the - act.” + + and + give + efficiency + to + the + courts + created + by + the + act.”

-

- - Respectfully - submitted. - . +

+ + Respectfully + submitted.

-

- - HAMILTON - FISH. +

+ + HAMILTON + FISH.

-
-

- - The - PRESIDENT, +

+

+ + The + PRESIDENT,

-
-

- - List - of - accompanying - papers. +

+

+ + List + of + accompanying + papers.

-
-

- - 1, - Regulations - for - the - consular - courts - of - the - United - States - in - Japan. +

+

+ + 1, + Regulations + for + the + consular + courts + of + the + United + States + in + Japan. - - 2. - Mr. - Fish - to - Mr. - De - Long, - September - 10, - 1870. - . + + 2, + Mr. + Fish + to + Mr. + De + Long, + September + 10, + 1870,

- - + +

-
-

- - +

+

+ + + +

+
+
+

+ +

diff --git a/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/txt.bin b/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/txt.bin index a5ca4032..a450f78e 100644 --- a/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/txt.bin +++ b/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/txt.bin @@ -1,5 +1,5 @@ -41st CONGRESS; | SENATE. -3d Session. } +4ist ConGREss, } SENATE. { Ex. Doc, +3d Session. No. 25. MESSAGE @@ -12,7 +12,7 @@ COMMUNICATING A copy of regulations for the consular courts of the United States in Japan, decreed and issued by the minister of the United States in that country. -January 27, 1871,—Read, referred to the Committee on Commerce, and ordered to be +JANUARY 27, 1871,—Read, referred to the Committee on Commerce, and ordered to be printed. To the Senate and House of Representatives : @@ -26,13 +26,13 @@ U. 8. GRANT. ‘WASHINGTON, January 27, 1871. DEPARTMENT OF STATE, -. Washington, January 26, 1870, +Washington, January 26, 1870, The Secretary of State has the honor to submit herewith, for revision by Congress, in conformity with the provisions of section 6 of the act approved 22d of June, 1860, a copy of “regulations for the consular -courts of the United States in Japan,” decreed and issued by C. E. -De Long, the miniater of the United States in that country, in Septem- +courts of the United States in Japan,” decreed and issued by C. BE. +De Long, the minister of the United States in that country, in Septem- ber, 1870; and also the papers mentioned in the subjoined list, which, contain suggestions on the subject thereof. @@ -43,7 +43,7 @@ decrees and regulation, in the sense in which it is limited by paragraph 431 of the article before named—that is, “to acts necessary to organize and give efficiency to the courts created by the act.” -Respectfully submitted. . +Respectfully submitted. HAMILTON FISH. @@ -52,7 +52,9 @@ The PRESIDENT, List of accompanying papers. 1, Regulations for the consular courts of the United States in Japan. -2. Mr. Fish to Mr. De Long, September 10, 1870. . +2, Mr. Fish to Mr. De Long, September 10, 1870, + + diff --git a/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 556f0121..96c1415a 100644 Binary files a/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/jbig2/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index 8bd5f1a7..fc7f0c29 100644 --- a/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -
+

diff --git a/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 06ef4e3c..2987783d 100644 Binary files a/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/lichtenstein/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/manifest.jsonl b/tests/cache/manifest.jsonl index 5e7a374f..f482aaaa 100644 --- a/tests/cache/manifest.jsonl +++ b/tests/cache/manifest.jsonl @@ -1,64 +1,44 @@ -{"tesseract_version": "4.1.1", "platform": "Darwin-18.7.0-x86_64-i386-64bit", "python": "3.7.7", "argv_slug": "__-l__deu__000001_ocr.png__000001_ocr_tess__pdf__txt", "sourcefile": "resources/francais.pdf", "args": ["-l", "deu", "-c", "textonly_pdf=1", "$TMPDIR/000001_ocr.png", "$TMPDIR/000001_ocr_tess", "pdf", "txt"]} -{"tesseract_version": "4.1.1", "platform": 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"sourcefile": "resources/cardinal.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000002_ocr.png", "$TMPDIR/000002_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "eng", "$TMPDIR/000003_ocr.png", "$TMPDIR/000003_ocr_hocr", "hocr", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "$TMPDIR/000003_ocr.png", "$TMPDIR/000003_ocr_hocr", "hocr", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt", "sourcefile": "resources/3small.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000003_ocr.png", "$TMPDIR/000003_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000003_ocr.png", "$TMPDIR/000003_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000003_ocr.png", "$TMPDIR/000003_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "eng", "$TMPDIR/000004_ocr.png", "$TMPDIR/000004_ocr_hocr", "hocr", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "$TMPDIR/000004_ocr.png", "$TMPDIR/000004_ocr_hocr", "hocr", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000004_ocr.png", "$TMPDIR/000004_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000004_ocr.png", "$TMPDIR/000004_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000005_ocr.png__000005_ocr_hocr__hocr__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "$TMPDIR/000005_ocr.png", "$TMPDIR/000005_ocr_hocr", "hocr", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000005_ocr.png__000005_ocr_tess__pdf__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000005_ocr.png", "$TMPDIR/000005_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000006_ocr.png__000006_ocr_hocr__hocr__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "$TMPDIR/000006_ocr.png", "$TMPDIR/000006_ocr_hocr", "hocr", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt", "sourcefile": "resources/multipage.pdf", "args": ["-l", "eng", "-c", "textonly_pdf=1", "$TMPDIR/000006_ocr.png", "$TMPDIR/000006_ocr_tess", "pdf", "txt"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__osd__--psm__0__000001_rasterize_preview.jpg__stdout", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "osd", "--psm", "0", "$TMPDIR/000001_rasterize_preview.jpg", "stdout"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__osd__--psm__0__000001_rasterize_preview.jpg__stdout", "sourcefile": "resources/poster.pdf", "args": ["-l", "osd", "--psm", "0", "$TMPDIR/000001_rasterize_preview.jpg", "stdout"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__osd__--psm__0__000002_rasterize_preview.jpg__stdout", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "osd", "--psm", "0", "$TMPDIR/000002_rasterize_preview.jpg", "stdout"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__osd__--psm__0__000003_rasterize_preview.jpg__stdout", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "osd", "--psm", "0", "$TMPDIR/000003_rasterize_preview.jpg", "stdout"]} +{"tesseract_version": "4.1.1", "platform": "macOS-10.14.6-x86_64-i386-64bit", "python": "3.9.0", "argv_slug": "__-l__osd__--psm__0__000004_rasterize_preview.jpg__stdout", "sourcefile": "resources/cardinal.pdf", "args": ["-l", "osd", "--psm", "0", "$TMPDIR/000004_rasterize_preview.jpg", "stdout"]} \ No newline at end of file diff --git a/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index 99cfda8e..38166827 100644 --- a/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+

diff --git a/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 8f5f36ca..66a30325 100644 Binary files a/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/multipage/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin index 8d0a20d2..2c989a38 100644 --- a/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+

diff --git a/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin b/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin index fcabb2c4..82d5f141 100644 Binary files a/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/multipage/__-l__eng__000003_ocr.png__000003_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin index abcbaecb..182a705a 100644 --- a/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+

diff --git a/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin b/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin index 2f7ca9b9..a5591cce 100644 Binary files a/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/multipage/__-l__eng__000004_ocr.png__000004_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_hocr__hocr__txt/hocr.bin index 384e7c3c..19e890e9 100644 --- a/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+

diff --git a/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_tess__pdf__txt/pdf.bin b/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_tess__pdf__txt/pdf.bin index e43434bc..99d3c4eb 100644 Binary files a/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/multipage/__-l__eng__000005_ocr.png__000005_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_hocr__hocr__txt/hocr.bin index ddb2a438..3e3c4012 100644 --- a/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+

diff --git a/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/pdf.bin b/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/pdf.bin index 2e797b57..4a339f17 100644 Binary files a/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/txt.bin b/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/txt.bin index 48cfff56..bad62d40 100644 --- a/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/txt.bin +++ b/tests/cache/multipage/__-l__eng__000006_ocr.png__000006_ocr_tess__pdf__txt/txt.bin @@ -45,8 +45,8 @@ when that sufferer was put to death, already marked by the Woodman, Fate, to come down and be sawn into boards, to make a certain mov- able framework with a sack and a knife in it, ter- -tible in history. It is likely enough that in the -tough outhouses of some tillers of the heavy +rible in history. It is likely enough that in the +rough outhouses of some tillers of the heavy lands adjacent to Paris, there were sheltered from the weather that very day, rude carts, bespattered with rustic mire, snuffed about by diff --git a/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index 4c20ae20..fd60c85f 100644 --- a/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+

diff --git a/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 80c3c425..55a7fbdf 100644 Binary files a/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/palette/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 450cbc3c..33a54256 100644 Binary files a/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin b/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin index 5ae8d1b4..16b617e5 100644 --- a/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin +++ b/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/stderr.bin @@ -1,3 +1 @@ Tesseract Open Source OCR Engine v4.1.1 with Leptonica -Warning: Invalid resolution 10 dpi. Using 70 instead. -Estimating resolution as 328 diff --git a/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/txt.bin b/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/txt.bin index 497dbe9b..b3381922 100644 --- a/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/txt.bin +++ b/tests/cache/poster/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/txt.bin @@ -2,7 +2,6 @@ The LinnSequencer 32 Track MIDI Sequence Recorder The LinnSequencer is a state-of-the-art composition and performance tool for the professional musician. It is - extremely powerful, yet amazingly simple to learn and use. It’s many remarkable features include: © Operation is similar to multi-track tape recorder with PLAY, STOP, RECORD, FAST @@ -54,7 +53,6 @@ Editing To erase a wrong note, simply hold ERASE and press the note to be erased just before it plays in the sequence— when played back, it will be gone. Notes may also be - added, erased, or changed using the SINGLE STEP func- tion. To overdub notes at specific points within a sequence, diff --git a/tests/cache/poster/__-l__osd__--psm__0__000001_rasterize_preview.jpg__stdout/stderr.bin b/tests/cache/poster/__-l__osd__--psm__0__000001_rasterize_preview.jpg__stdout/stderr.bin index f0de83a8..e69de29b 100644 --- a/tests/cache/poster/__-l__osd__--psm__0__000001_rasterize_preview.jpg__stdout/stderr.bin +++ b/tests/cache/poster/__-l__osd__--psm__0__000001_rasterize_preview.jpg__stdout/stderr.bin @@ -1,3 +0,0 @@ -Warning: Invalid resolution 10 dpi. Using 70 instead. -Estimating resolution as 328 -Warning. Invalid resolution 10 dpi. Using 70 instead. diff --git a/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index 208deb0e..43520b39 100644 --- a/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -

+
diff --git a/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 979d3117..31627deb 100644 Binary files a/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/skew/__-l__eng__--psm__7__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin b/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin index f5eed6db..17df1412 100644 --- a/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin +++ b/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_hocr__hocr__txt/hocr.bin @@ -9,7 +9,7 @@ -
+

diff --git a/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin b/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin index 11a1c311..b143cc9b 100644 Binary files a/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin and b/tests/cache/skew/__-l__eng__000001_ocr.png__000001_ocr_tess__pdf__txt/pdf.bin differ diff --git a/tests/test_hocrtransform.py b/tests/test_hocrtransform.py index f2f0c660..136c9a49 100644 --- a/tests/test_hocrtransform.py +++ b/tests/test_hocrtransform.py @@ -53,8 +53,10 @@ def test_mono_image(blank_hocr, outdir): im.putpixel((n, n), 1) im.save(outdir / 'mono.tif', format='TIFF') - hocr = hocrtransform.HocrTransform(str(blank_hocr), 300) - hocr.to_pdf(str(outdir / 'mono.pdf'), image_filename=str(outdir / 'mono.tif')) + hocr = hocrtransform.HocrTransform(hocr_filename=str(blank_hocr), dpi=300) + hocr.to_pdf( + out_filename=str(outdir / 'mono.pdf'), image_filename=str(outdir / 'mono.tif') + ) check_pdf(str(outdir / 'mono.pdf')) diff --git a/tests/test_optimize.py b/tests/test_optimize.py index 7c979a87..a319b812 100644 --- a/tests/test_optimize.py +++ b/tests/test_optimize.py @@ -143,7 +143,7 @@ def test_multiple_pngs(resources, outdir): outputstream=inpdf, ) - def mockquant(input_file, output_file, _quality_min, _quality_max): + def mockquant(input_file, output_file, *args): with Image.open(input_file) as im: draw = ImageDraw.Draw(im) draw.rectangle((0, 0, im.width, im.height), fill=128)